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"The Road Not Taken" By Robert Frost
Robert Frost was born in San Francisco. For a short time he attended Harvard University. Later in 11, he moved to England. He published his first book of poetry in 11. He later died in 16. "The Road Not Taken" was published in 116. "It is one of many of his well known poems. 'The Road Not Taken' is set in a rural natural environment which encourages the speaker bound introspection. The poem relies on a metaphor in which the journey on a road." (Napierkowski, Ruby, 14) In "The Road Not Taken," Robert Frost uses imagery, tone, and rhyming patterns to illustrate the limitations of choice.
Various forms of imagery are within the poem to illustrate the limitations of choice. The first form of imagery you will see is respectively in the first line of the poem, "Two roads diverged in a yellow wood." The color yellow is imagery that appeals to the senses of the reader. The phrase "yellow wood" implies that there is a "golden" opportunity that lies ahead on a path. The sense of such a great or "golden" reward is appealing to the reader. People associate the phrase "golden" with wealth, love, and happiness. From the beginning of the poem, the speaker grabs the reader's attention to keep the reader hanging on every word.
"The next and most obvious usage of imagery is the two roads. "Two roads diverged in a yellow wood, " is
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In the 18. The two roads symbolize the pivotal choice that is presented before the speaker. The two roads are two choices, two opportunities, and two lives. The two roads clearly state the dilemma and plot of the poem. The dilemma of choosing a path is set upon the speaker from the very beginning." (Napierkowski, Ruby, 16) The two paths presented seem to be more of a burden than a good thing that will work out well either way.
Next, Frost uses vegetation imagery. In the last line of the first stanza, "to where it bent down I the undergrowth," can, of course simply mean that the paths are old. The "undergrowth" can represent all the dreams and aspirations in life that people have lost or failed to discover. The "undergrowth" for one path can be opposite of the other path. One paths "undergrowth" can be all the productive and enjoyable things people have chosen in life. The other paths "undergrowth" can be all the wrong decisions people have made that led to a less desirable life. It is up to the speaker to choose what kind of "undergrowth" he wants.
Another form of vegetation imagery that appears in the poem is in line eight, "because it was grassy and wanted wear." A "grassy" path can mean that a certain way of life will flourish, be healthy, and prosperous in its environment, much like the young growth of the grass. Just as the right amount of sunlight and water feeds the grass and gives it life the right decision feeds the life of others, enabling them to grow strong and healthy. The speaker of the poem will have to make a decision that will forever change his life.
"Frost implies a certain tone to illustrate his theme of the limitations of choice. The first two stanzas imply a tone of regret. In lines 14 and 15, "Yet knowing how way leads on to way/I doubted if I should ever go back," gives the reader the feeling that the speaker knows what his choice will ultimately be and his decision may not exactly be the best. In lines 16 and 17, "I shall be telling this with a sigh/Somewhere ages and ages hence," shows that the speaker will look back on his decision and have doubts. The word "sigh" indicates that the speaker is regretful.
In the second half of the poem, Frost uses a tone of acceptance. In lines six and seven, "Then took the other, just as fair/And having perhaps the better claim," is talking about why the speaker will choose the "road not taken." The speaker is trying to justify his decision. At this point in the poem the speaker has accepted his choice. He has come to terms with him facing two paths, he then chooses one, and every thing will work out in the end." (Napierkowski, Ruby, 16)
"Frost also uses rhyming patterns to illustrate his theme of the limitations of choice. The poem is written in a rhyme scheme called abaab, which is when the first line in each stanza rhymes with the third and the fourth lines. Then the second line rhymes with the fifth line. In the first stanza the first rhymes wood, stood, and could represent the main and perhaps the most important steps throughout the poem." (Napierkowski, Ruby, 17) Wood represents when the speaker's eyes first com upon the two paths in the woods. The speaker is now face to face with his dilemma. When stood is presented in the poem it illustrates the time that the speaker is taking before continuing his journey.
Could represent the question at hand. What road does the speaker follow? Both stood and could combined represents the final decision.
In the second stanza, fair, wear, and there all rhyme together. The other rhyming pair is claim and same. Fair is presented in the poem when the speaker states, "then took the other, just as fair." It seems the more he thinks about what path to follow, the more confuses he gets. The decision gets harder and harder to make with every thought. "Because it was grassy and wanted wear," indicated that more people have chosen one path over the other. Wear means the path wanted to please people and possibly make their dreams come true. "Claim and same is when the speaker is contradicting himself. In line seven and ten he says, "having perhaps the better claim/Had worn them really the same." One path cannot have the better claim if they have worn equally. This shows that the speaker is having difficulty deciding which path would be best." (French 0)
Frost also uses rhyming patterns in the third stanza. In the third stanza, lay, day, and way all rhyme together. Lay is in the poem when the speaker ways that both paths lay equal. As much as two paths lay in the woods, decisions lay within our lives. Also in the third stanza, black and back rhyme. Black signifies how hard, cold, and dark life can be when presented with a tough decision. Back is because he may want to go back but he knows he cannot.
The fourth stanza also has rhyming words such as sigh, I, and by. Sigh, I, and by is said by the speaker when he is telling the reader what his final decision will be. He says, "sigh" because he is regretful, and may be unhappy. He states "I" because it is him
and only him who can make such a decision. And, "by" because he "took the road less traveled by." Another rhyme in the fourth stanza is hence and difference. "Hence along with difference represents when he is thinking about being years into the future and that he will be happy regardless and would not change anything. This is illustrated by the line, "and that has made all the difference." (Napierkowski, Ruby, 16)
In "The Road Not Taken," Robert Frost uses imagery, tone, and rhyming patterns to illustrate his theme of the limitations of choice. "The dissonance or state of disturbance the human mind experiences when faces with opposing or contradictory cognitions. In the poem what bothers the persona's mind is the possibility of the "road not taken" proving to be the better one. The poem represents the classic choice of a moment and a lifetime. Frost is playing the role of everyman as he spoofs man's tendency to make a choice between two equal imperatives and to praise his choice later as having made all the difference." (Mohan)
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