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"Dulce et Decorum Est"
Looking back now, we can all recognise that The Great War was nothing but an "ecstasy of fumbling", from the drawing board to the battlefield, but nearly a century on has anything changed? Is asymmetric warfare as sanitised as we may be lead to believe, or is it all a cover up for a more sinister truth, like that which is depicted in Wilfred Owen's poem "Dulce Et Decorum Est"?
With every line Owen puts me further into the role of the foot soldier on the battlefield, describing his very own experiences, to potent effect. He depicts the horror when a platoon is gassed, in a surprise attack.
The structure of the poem goes a long way to create this realism, which is responsible for incurring such vivid images. The poem is set into four verses, each structured to encapsulate an image of the exact moment in your mind. From the first verse, it's slow pace, as the soldiers "limp on ..with fatigue." To the sudden change of pace as, in "an ecstasy of fumbling" the "outstripped five-nines" drop down on the unsuspecting soldiers, in verse two. However, the third verse is perhaps the most important as in just two lines we hear a young soldier "guttering, choking, drowning", dying on the page in front of us. In the fourth verse we see the final scene, after they have flung the young soldier into the "wagon", Owen turns to the reader, in second person, and laments his final thought to the reader, cursing anyone who ever dared to say "Dulce et decorum est pro patria mori".
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With every word Owen draws me further into the belief, that I am there; watching my friends die, for something they know nothing about; for their country. The poet's imagery is astounding, you feel "every jolt", you are there "bent double.. and knock-kneed, lame.. deaf". I try to fit the clumsy equipment when your leader screams "Gas!Gas! Quick, boys" and "through the dim misty panes and thick green light". I see my friend "before my helpless eyes.. like a man on fire or lime.. Watch the white eyes writhing in his face and hear his froth corrupted lungs", it is I, the reader, that hears all of this, as Owen did. It is this mortifying imagery that the poet uses to make me feel like his "friend", and that is why after reading the poem, you too can't help but wonder why any human has ever underwent such vile conditions, to die for such a cause.
The meaning, however may well have been lost had it not been for this chaotic and shocking scene, portrayed with such fine use of rhythm and rhyme. Owen uses his particular literary techniques, to make the rhythm and rhyme go hand in hand. Owen calls upon the use of assonance and half rhyme to depict the pathetic rhythm of the men's march. As the men "curse through sludge...began to trudge...limp, on bloodshod", the sound of every heavy footstep, the panting, the slosh of the mud almost sounds out of the page. The rhythm remains; like the battle; long, slow and dull. Even in the "ecstasy of fumbling...yelling out and stumbling", and Owen's dramatic speech at the end of the poem, still the fatigue sets the dark, depressing rhythm. Making the soldier and reader think alike, and wonder why.
Wilfred Owen's poem is suffused with the horror of battle, and yet finely structured and innovative. Owens use of half-rhyme gives his poetry a dissonant, disturbing quality that amplifies his themes.
As we sip our tea and watch the evening news on the "box", we could be forgiven for forgetting that there is a war on. All we see are blip's in computer crosshairs, as a multi-billion pound coalition force "neutralises the threat". In places where the macabre realities of trench warfare are seemingly forgotten, the worst crime is that the guerrillas and generals alike will forever still spout out the old lie "Dulce et decorum est pro patria mori."
written by, Samuel Arfield
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