Joy Luck Club

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In the movie The Joy Luck Club the director Wayne Wang uses techniques to portray the film to make the themes and issues come across more appealing to the viewer. The three scenes that stood out are the ones where Lindo's mother is speaking to the matchmaker and mother in law about giving her daughter away to be married at the age of 15, the scene where Ying Ying is in Lena's apartment also known as the tiger scene and the last scene is Junes reunion with her abandoned twin sisters in China. These three scenes are all different in the way they are explored with different themes and issues by the way they are directed.

Lindo's family was poverty stricken, as daughters were seen as worthless her mother summoned the matchmaker to make a match for her daughter. As soon as Lindo enters the frame she is walking alone, showing her independence the camera follows Lindo with a panning shot. When Lindo enters the frame she is holding a red kite symbolising prosperity as well as the ability for freedom with no limitations. As Lindo walks in on the meeting her mother is having with the matchmaker and her future mother in law she steps up onto a rock, which creates a sense of power at the same time Lindo shows them that she wont be restricted once being married off. The long shot of the meeting shows no emotion, the way Wayne Wang has seated the three women is reminiscent of a battle as the mother in law and matchmaker are facing the mother as if the mother is unsure with her decision to give Lindo away, the door way in the background of the scene shows there is a new beginning once stepping inside the darkness of the room showing the unknown and mystery with the light showing a sense of direction. There is a medium shot of Lindo and she is fiddling with her kite but at the same time holding on tightly this represents her fear of being restricted of her prosperity and freedom as she throws the kite away in a later frame it shows her understanding of her arranged marriage by the matchmaker when doing this it shows her loss of opportunities as she knows she is trapped.

The tones that are projected from Lindo and her mother is fear of rejection, Lindo's mother is concerned with Lindo's acceptance by her future family for the reason that she is openhandedly given Lindo off to be married for a better opportunity at life, and being accepted into the house hold is a big ordeal to a mother as she has promised Lindo would be a good and obedient daughter in law. Lindo's concern for fear of rejection is somewhat different to that of her mothers because she wants to be accepted only because she has no other option and to be accepted is better than not being accepted at all. Whilst Lindo's mother is having slight regrets by her facial expressions during a close up of her face she would also be excited for Lindo as she is having the opportunity to live with a wealthy family.

In the scene where Ying Ying is in Lena's apartment the darkness of the shadows creates a sense of mystery, throughout the scene Ying Ying is talking bout the tiger, Wayne Wang has played with the shadows using the vertical blinds as a shadow on Ying Ying causing her to look like the tiger as she walks over to the bed with her hands grasped together showing she is harmless, whilst walking over to the bed she is accompanied by a panning shot. As Lena enters the room through the door, it is a mystery to the viewer at first, as you cannot see who is at the door but as Lena enters the room there is a sharp close up of her face showing concern for her mother as she is unaware of her mother distress for her marriage to Harold. The wooden pylons in the room symbolise the strength needing to hold up the house, this is like Lena and Harold's marriage it looks good from the outside but on the inside it doesn't appear the same, also the lopsidedness of the house is somewhat identical to Lena's marriage. Throughout the scene there is a lot of medium angle shot of Ying Ying with a lot of shadow positioned on her face and body to perhaps create a sense of mystery or a barrier.

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Throughout the scene music is being played sympathetically to the tone of the scene, which was anxiety and concern for Lena, as she doesn't want Lena's marriage to turn out as hers did. During the scene almost all of it consists of dark and dull scenes this adds to the final modification of the tone.

The final scene is where June goes to China for a reunion with her twin sisters that her mother Suyuan abandoned during the war in China when her babies were born. June never had a full understanding or acceptance of her mother's choice to leave the twins along the roadside. Lindo organised for June to go to China and meet the twins and inform them about the death of their mother. June goes to China by boat the first frame we observe in this scene is the sharp close up of swan feather followed by a slow panning shot going up toward June's face this shot shows the strong link between June and the swan feather. After panning up there is a sharp close up of June at eye level this frame is positioned there for a while to show June's excitement of meeting her twin sisters. As the boat docks into China there is a long shot of the boat showing the crowd and the different surroundings, as June walks off the boat she is accompanied by a low angle medium panning shot. When June looks for her sisters through the crowd she is lead by a dolly shot whilst the camera is proceeding with a dolly shot June is in a medium shot this shows her surrounding as well as her emotions. As June first sets sight of the twins she stands a reasonable distance away from the twins there is a long shot of the twins then followed by a close up of June's face showing her joyous experience with her first encounter with the twins. When June and the twins come together there is a high angled shot of the twins and June representing no emotions at this time. Whilst June tells the twins of their mother's death there is a sharp close up of her face showing sympathy and sorrow, the twins accept June with a hug this frame is shot through a high angled shot after they hug the camera slowly proceeds with tracking out in a slight upward direction.

The tone of this scene was somewhat different to the others as this one dealt with the justification of why Suyuan couldn't make it to China, June was afraid that her sisters wouldn't accept her she thought perhaps she may be rejected, it also deals with the anxiety June went through to preparing herself to tell the twins bout the death of her mother, it also is a joyous scene in that it is a happy event. Throughout the scene there is sympathetic music being played which gives the viewer an understanding it is a sad but joyous event.

In conclusion all three scenes explored different themes and issues but were all completed effectively. Without Wayne Wang's techniques the film may have been a lot different since the film techniques gave the film its appealing characteristics. The different camera shots, angles, movements and focuses made the film a lot more satisfying for the viewer.

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My old school

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As I was walking down the empty hallway for the last time, all the memory came rushing back. The laughter, the hurried footsteps, the rattling locks and talks of randomthe very essence of high school now becomes an illusion to me. This school was a second home to me. Preserved in itself was the reminiscence of those good and bad times, of tears and laughter, of excitement and anxiety, of friends and teachers. It was an unwritten journal of my adolescence life. The thought of leaving it behind was unbearable.

It was a Saturday morning, the day after school had ended. I woke up at early dawn and took a fifteen-minute walk to school. This would be the last time I get to say good-bye to this familiar place where I grew up. I had went to this school for past five years but it never seemed that long. However, since my parents told me that we were moving in a month, I treasured each day for what it was worth. I spent the past month with a strange sentiment. The old bush with newly blooming flowers grasped my attention for the first time as I was walking down the usual path. The school's front stood out amidst the early fog. I stood there, staring at the school sign, "Oxnard Chapel School." Those three words entitled one big chapter in my life. I walked past the gates and entered the campus. It was strangely empty. I was feeling the exact same thing five years ago when I first stepped into this school. I remember running past the library to get to my first period class as the bell starts ringing away. How fun it was sitting on those benches, eating lunch with friends or cramming for tests. The amphitheater used to be crowded with hundreds of students whenever we had a special event. The smell of fresh paint blended in with the crisp morning mist was refreshing. Looking around, I told myself that there will be a day when I come back and visit this school-the frame of my past and the foundation of my future.

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Junk Mail

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Junk Mail

On an average, people receive about 4 pounds of junk mail a year (Headden 41). The companies that sent this mail pay an annual fee of $80,000 to learn where people on their clients' lists have moved (Headden 4). However, out of 100 consumers at least 1 will answer these ads (Headden 4). I have received a piece of junk mail from Bank One. Although junk mail can be a hindrance, it may also be both attractive and persuasive.

The colors and font sizes are used as virtual tools that attract the consumers attention. Most of the front is covered with blue. Where the open window is there is a burst that goes from white to solid blue. The way the color is tinted draws your focus to the person to whom it was sent. The words that are written there are intended to catch your eye. There is a yellow stripe across the bottom of the back of the envelope. On it are letters written in black and in size eighteen font with about four words and the telephone number in bold. On the pictures are words written in bold and normal type with twenty-four font in white.

The use of pictures and icons in adverting serve to persuade the consumer to open that particular piece of junk mail. There are two pictures on the back of the envelope. On the left, there is a mother and her two young children, a boy and a girl, in a car. The mother has a smile on her face and looks as if she is thinking about something. The children are playing in the back. On the right side, the picture shows the same family on Dumbo at Disneyland. They are laughing and you can tell that they are having a good time. On the other side of the envelope, there is the Disney emblem, the outline of Mickey Mouse's face and ears. There is also a picture of the credit card that Bank One is trying to promote. This shows that if you get the card then you would be able to go to Disneyland as well. Help with essay on Junk Mail

Another important strategy that advertisers use is their use of written language. On the envelope of this piece of junk mail there are different persuasive words such as "Disney Dream Reward Dollars," "You're Pre-Approved," "You have a practical side………… You have a Disney side," "Free," and Receive Charter Cardmember." "The overworked word 'free' is still the most powerful word in the junk mail lexicon" says Susan Headden in "The Junk Mail Deluge" (Headden 4). All of these words are being used to draw in the consumer and to make their product appeal to people. On the inside, on a paper that is colored there are the words "You'll love both sides of this story." This continues from the front of the envelope to continually entice the reader to continue reading on.

One advertisement strategy that McClintock mentions, Plain Folk, is found in the piece of junk mail that I have found. In this strategy, we see people just like you and me doing thinks that we do. Ann McClintock, author of "Propaganda Techniques in Today's Advertising," states, "We see people making long-distance calls for just the reasons that we do-to put the baby on the phone to Grandma or tell Mom we love her" (McClintock 05). The pictures that are on the back of the envelope shows an ordinary family, maybe even a single parent, driving the kids. Then they are at Disneyland. So, why could other people just like this family not do the same thing? This question is put into the consumers mind and works its way to make sense.

Visual Aspects, Persuasive Language, as well as the McClintock Strategy all contribute to the allure of junk mail to the consumer. It has become clear to me that even by just giving a piece of mail a glance you open the door to be enticed to open it up and consider the offer.

Works Cited

Headden, Susan. "The Junk Mail Deluge." U.S. News World Report. 08 Dec. 17 40-48.

McClintock, Ann. "Propaganda Techniques in Today's Advertising." The MacMillan Reader. 5th Ed. Eds. Judith Nadell, John Langan, Linda McMeniman. Boston Allyn @ Bacon 1 01-08.

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HEAT VAPORIZATION OF WATER

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Lab # 5

Lab Title-Heat of Vaporization of Water Using the Boiling Point Method

Lab Partners- Matt Yates, Melissa Sanford and Elizabeth Natchwey

Lab Text The Elements of Physical Chemistry With Applications in Biology, by Atkins

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rd Edition, Freeman, 00.

Survey of Physical Chemistry Lab Manual

Date Performed 10/11/0

Submission Date 11/8/0

I. Abstract

The vapor pressure of a liquid is the measure of the ability of molecules to escape from the surface of a solid or liquid. The intermolecular forces holding the molecule together are broken when the temperature is raised, due to the kinetic energy of the molecules. As more molecules build up in the space above the solid or liquid, more of them collide with the surface and some may adhere. At a fixed temperature the system will reach a state of dynamic equilibrium. At this point the pressure exerted by the molecules in the space above the solid or liquid, by definition, is the vapor pressure of the solid or liquid. When external pressure is exerted on the liquid, the vapor pressure also increases because the molecules are compressed, which also increases their energy.

II. Introduction

To determine the heat of vaporization we used a common method. Various external applied pressures are applied to the liquid while heating and the point at which the liquid boils is recorded.

The formula for the equilibrium between a pure liquid and its vapor is equation #1

X(l) X(g) (P, T) (eq. 1)

There is a definite relationship that exists between the pressure and the temperature at equilibrium. This relationship is equation #

dPdT = (eq. )

In equation # dP and dT are referring to an infinite number of changes for both pressure and temperature in a system at equilibrium with pure substances and both phases always present. ÄS and ÄV are referring to the entropy change and the volume when a phase transforms into another at both constant pressure and temperature. Since ÄG is 0 for a change in state the ÄS term in the equation can be replaced using and the resulting equation will produce equation #

dPdT = (eq. )

The Claperon equation is an exact expression that can be applied to many different phase equilibria. Equations and are known as the Claperon equation. When a Vaporization occurs there is a change in volume that is standard. ÄVvap (which is also Vg-V1) is about Vg. If Vg is substituted for ÄV equation #4 is the result

dpdT = (eq. 4)

Calculus says that dlnp = and that , after algebra and manipulation equation #4 can be turned magically into equation #5

= - (eq. 5)

If the compressibility factor of the gas is introduced as Z produces equation #6

Z = (eq. 6)

When equation #5 is multiplied by R/R most of the variable can be substituted with Z. When this happens a new convenient form of the Claperon equation is the result equation #7

= - (eq. 7)

Equation #7 can be rearranged to produce equation #8 and then it can be integrated to produce the Clausius Claperon equation, equation #

(eq. 8)

(eq. )

III. Experimental Methods

Equipment Needed (Typical Boiling Point Apparatus)

5 Liter Ballast Bulb Thermometer Adapter

Closed Tube Manometer Reflux Condenser

Double Neck Distillation Flask Bent Glass Tube with Adapter

Thermometers Electric Heating Mantle

Variac Long Pieces of Rubber Tubing

Rubber Pressure Tubing Long Pieces of Heavy Wall

Utility Clamps or Clamp Holders

Iron Ring Boiling Chips

The apparatus should be assembled to resemble Figure #1. Be sure to support all glass ware with clams at critical points. The double neck flask should be about one-third full of distilled de-ionized water. Add one or two boiling chips to the water. Stopcock X and stopcock S are not to be opened at the same time. Heat the water until vapor begins to condense on a drip from the thermometer bulb. Open the stopcock X and watch the manometer until both the mercury levels in the manometer and the thermometer are steady. Record the two readings. Record the ambient air temperature at the manometer every time you record both the boiling point and the vapor pressure. To take another reading close stopcock X and lower the heating mantle. Allow the flask to cool enough to stop the boiling and introduce new air into the system by opening stopcock S. Close stopcock S. Repeat the procedure until you have readings for the following pressures Decending 560, 450, 40, 40, 160, 10, and 0 Torr. Ascending 110, 10, 140, 180, 60, 60, 470, and 580 Torr. Record all data and proceed to calculations.

IV. Results and Observations

Chart #1

P (mmHg) CP (mmHg) T (°C) T (K) Height #1 (cm) Height # (cm) AAT (°C) 1/T lnP

66 6.568 4.7 67.85 71.0 8.0 4.0 0.007184 6.4501

560 557.5808 . 65.45 68.55 11.10 4.0 0.00765 6.607

450 448.056 86 5.15 6.55 17.5 4.0 0.007845 6.10418

40 8.51 7.55 5.7 57.77 .50 4.0 0.008571 5.84616

40 8.51 70.45 4.6 5.0 7.5 4.0 0.001061 5.47610

160 15.088 6.5 5.5 48.50 1.65 4.0 0.008066 5.070844

10 1.484 57.4 0.55 46.75 .40 4.0 0.000561 4.8605

0 8.611 50.4 .55 44.85 5.0 4.0 0.000071 4.4548

110 10.548 5.7 6.85 45.65 4.45 4.0 0.0005507 4.66151

10 11.4816 55.4 8.55 46.10 4.00 4.0 0.0004677 4.7816

140 1.5 58.8 1.5 47.0 .0 4.0 0.000150 4.71

180 17.4 66.5 .5 50.15 .5 4.0 0.0045508 5.18867

60 58.8768 7.5 45.5 5.10 7.00 4.0 0.008456 5.5565

60 58.4448 80.55 5.7 58.0 1.70 4.0 0.008755 5.881775

470 467.66 85. 5.05 6.55 17.5 4.0 0.0078517 6.14840

580 577.444 .6 65.75 68.85 10.70 4.0 0.0074108 6.586

Graph #1

V. Discussion and Conclusion

VI. References

The Elements of Physical Chemistry With Applications in Biology, by Atkins

rd Edition, Freeman, 00.

Survey of Physical Chemistry Lab Manual

VII. Appendices

Definitions from The Elements of Physical Chemistry With Applications in Biology, by Atkins

Vapor Pressure-The pressure of the vapor in equilibrium with its condensed phase is called the vapor pressure of the substance.

Critical Temperature-The temperature at which the surface disappears is the critical temperature.

Critical Pressure-The vapor pressure at the critical temperature is called the critical pressure.

Critical Point-The critical temperature and the critical pressure together determine the critical point.

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Floor Evacuation

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FLOOR EVACUATION OFFICERS

Each floor within the Town Hall will have a Floor Evacuation Officer whose responsibility it will be to ensure that all members of staff and members of the public are evacuated from the Town Hall as quickly as possible during an emergency. Floor Evacuation Officers should ensure that all staff are familiar with emergency procedures at the Town Hall.

1. When the alarm is sounded the Floor Evacuation Officer is to ensure that all members of staff and public leave the floor in an orderly fashion.

. If the fire occurs in his/her area, then immediately following the sounding of the alarm, the Floor Evacuation Officer should inform the Fire Control Point (Ext. 08) of the location and severity of the outbreak and if any persons are engaged in first-aid fire fighting, he/she should then supervise the evacuation of all personnel from the area. (N.B. the alarm is sounded by breaking the glass at the fire alarm point or by the activation of the smoke detectors.

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. When the Floor Evacuation Officers have ensured the floor is evacuated, they should report to the Fire Officer in the foyer and ensure that their floor tally is checked in at the Fire Control Point in the foyer. The Floor Evacuation Officers must not leave the building until this has been done, and should state name and floor for which he/she is responsible.

4. It should be clearly understood by all Floor Evacuation Officers that any outbreak of fire will only be tackled by Fire Teams if there is absolutely no danger to life.

5. The senior canteen person will assume the duty of Canteen Evacuation Officer. On hearing the alarm the Canteen Evacuation Officer should ensure that all staff and visitors evacuate the building. All cooking equipment is to be turned off and in addition deep fryers should be covered.

NO person will be allowed to enter or re-enter the building until told to do so by the FIRE OFFICER.

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The world

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What is politics? I think the best shorthand definition of politics that anybody's ever proposed is Aristotle's. And Aristotle said politics is free persons deliberating the question how ought we to order our life together. Free persons deliberating the question how ought we to order our life together. And the ought of that definition is clearly a moral term.

Every political question of consequence is a moral question. What is fair? What is just? What serves the common good? Fairness, justice, good these are all moral terms. We are the ones who are prepared to enter into the dialogue, if you will the ongoing conversation, within the bounds of civility, as to how we ought to order our life together, including the question who belongs to the wethe most elementary of all political questions. Who belongs to the we? Who is entitled to our respect? Who is entitled to protection?

This conversation, this argument, in unwarlike ways, in civil ways, in persuasive ways, will prevail incrementally, piece by piece, sometimes moving, it seems, more backward than forward. But we're accustomed to that; we should be. We know that we've signed on for the duration, we know that the conflict between the culture of life and the culture of death is nothing less than the story of humankind. Humankind trying to find a better way, a more just way, a more humane way of ordering our life together, and of protecting all those who belong to the we.

What is politics? I think the best shorthand definition of politics that anybody's ever proposed is Aristotle's. And Aristotle said politics is free persons deliberating the question how ought we to order our life together. Free persons deliberating the question how ought we to order our life together. And the ought of that definition is clearly a moral term.

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Every political question of consequence is a moral question. What is fair? What is just? What serves the common good? Fairness, justice, good these are all moral terms. We are the ones who are prepared to enter into the dialogue, if you will the ongoing conversation, within the bounds of civility, as to how we ought to order our life together, including the question who belongs to the wethe most elementary of all political questions. Who belongs to the we? Who is entitled to our respect? Who is entitled to protection?

This conversation, this argument, in unwarlike ways, in civil ways, in persuasive ways, will prevail incrementally, piece by piece, sometimes moving, it seems, more backward than forward. But we're accustomed to that; we should be. We know that we've signed on for the duration, we know that the conflict between the culture of life and the culture of death is nothing less than the story of humankind. Humankind trying to find a better way, a more just way, a more humane way of ordering our life together, and of protecting all those who belong to the we.

What is politics? I think the best shorthand definition of politics that anybody's ever proposed is Aristotle's. And Aristotle said politics is free persons deliberating the question how ought we to order our life together. Free persons deliberating the question how ought we to order our life together. And the ought of that definition is clearly a moral term.

Every political question of consequence is a moral question. What is fair? What is just? What serves the common good? Fairness, justice, good these are all moral terms. We are the ones who are prepared to enter into the dialogue, if you will the ongoing conversation, within the bounds of civility, as to how we ought to order our life together, including the question who belongs to the wethe most elementary of all political questions. Who belongs to the we? Who is entitled to our respect? Who is entitled to protection?

This conversation, this argument, in unwarlike ways, in civil ways, in persuasive ways, will prevail incrementally, piece by piece, sometimes moving, it seems, more backward than forward. But we're accustomed to that; we should be. We know that we've signed on for the duration, we know that the conflict between the culture of life and the culture of death is nothing less than the story of humankind. Humankind trying to find a better way, a more just way, a more humane way of ordering our life together, and of protecting all those who belong to the we.What is politics? I think the best shorthand definition of politics that anybody's ever proposed is Aristotle's. And Aristotle said politics is free persons deliberating the question how ought we to order our life together. Free persons deliberating the question how ought we to order our life together. And the ought of that definition is clearly a moral term.

Every political question of consequence is a moral question. What is fair? What is just? What serves the common good? Fairness, justice, good these are all moral terms. We are the ones who are prepared to enter into the dialogue, if you will the ongoing conversation, within the bounds of civility, as to how we ought to order our life together, including the question who belongs to the wethe most elementary of all political questions. Who belongs to the we? Who is entitled to our respect? Who is entitled to protection?

This conversation, this argument, in unwarlike ways, in civil ways, in persuasive ways, will prevail incrementally, piece by piece, sometimes moving, it seems, more backward than forward. But we're accustomed to that; we should be. We know that we've signed on for the duration, we know that the conflict between the culture of life and the culture of death is nothing less than the story of humankind. Humankind trying to find a better way, a more just way, a more humane way of ordering our life together, and of protecting all those who belong to the we.

What is politics? I think the best shorthand definition of politics that anybody's ever proposed is Aristotle's. And Aristotle said politics is free persons deliberating the question how ought we to order our life together. Free persons deliberating the question how ought we to order our life together. And the ought of that definition is clearly a moral term.

Every political question of consequence is a moral question. What is fair? What is just? What serves the common good? Fairness, justice, good these are all moral terms. We are the ones who are prepared to enter into the dialogue, if you will the ongoing conversation, within the bounds of civility, as to how we ought to order our life together, including the question who belongs to the wethe most elementary of all political questions. Who belongs to the we? Who is entitled to our respect? Who is entitled to protection?

This conversation, this argument, in unwarlike ways, in civil ways, in persuasive ways, will prevail incrementally, piece by piece, sometimes moving, it seems, more backward than forward. But we're accustomed to that; we should be. We know that we've signed on for the duration, we know that the conflict between the culture of life and the culture of death is nothing less than the story of humankind. Humankind trying to find a better way, a more just way, a more humane way of ordering our life together, and of protecting all those who belong to the we.

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"Dulce Et Decorum Est"

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"Dulce et Decorum Est"

Looking back now, we can all recognise that The Great War was nothing but an "ecstasy of fumbling", from the drawing board to the battlefield, but nearly a century on has anything changed? Is asymmetric warfare as sanitised as we may be lead to believe, or is it all a cover up for a more sinister truth, like that which is depicted in Wilfred Owen's poem "Dulce Et Decorum Est"?

With every line Owen puts me further into the role of the foot soldier on the battlefield, describing his very own experiences, to potent effect. He depicts the horror when a platoon is gassed, in a surprise attack.

The structure of the poem goes a long way to create this realism, which is responsible for incurring such vivid images. The poem is set into four verses, each structured to encapsulate an image of the exact moment in your mind. From the first verse, it's slow pace, as the soldiers "limp on ..with fatigue." To the sudden change of pace as, in "an ecstasy of fumbling" the "outstripped five-nines" drop down on the unsuspecting soldiers, in verse two. However, the third verse is perhaps the most important as in just two lines we hear a young soldier "guttering, choking, drowning", dying on the page in front of us. In the fourth verse we see the final scene, after they have flung the young soldier into the "wagon", Owen turns to the reader, in second person, and laments his final thought to the reader, cursing anyone who ever dared to say "Dulce et decorum est pro patria mori".

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With every word Owen draws me further into the belief, that I am there; watching my friends die, for something they know nothing about; for their country. The poet's imagery is astounding, you feel "every jolt", you are there "bent double.. and knock-kneed, lame.. deaf". I try to fit the clumsy equipment when your leader screams "Gas!Gas! Quick, boys" and "through the dim misty panes and thick green light". I see my friend "before my helpless eyes.. like a man on fire or lime.. Watch the white eyes writhing in his face and hear his froth corrupted lungs", it is I, the reader, that hears all of this, as Owen did. It is this mortifying imagery that the poet uses to make me feel like his "friend", and that is why after reading the poem, you too can't help but wonder why any human has ever underwent such vile conditions, to die for such a cause.

The meaning, however may well have been lost had it not been for this chaotic and shocking scene, portrayed with such fine use of rhythm and rhyme. Owen uses his particular literary techniques, to make the rhythm and rhyme go hand in hand. Owen calls upon the use of assonance and half rhyme to depict the pathetic rhythm of the men's march. As the men "curse through sludge...began to trudge...limp, on bloodshod", the sound of every heavy footstep, the panting, the slosh of the mud almost sounds out of the page. The rhythm remains; like the battle; long, slow and dull. Even in the "ecstasy of fumbling...yelling out and stumbling", and Owen's dramatic speech at the end of the poem, still the fatigue sets the dark, depressing rhythm. Making the soldier and reader think alike, and wonder why.

Wilfred Owen's poem is suffused with the horror of battle, and yet finely structured and innovative. Owens use of half-rhyme gives his poetry a dissonant, disturbing quality that amplifies his themes.

As we sip our tea and watch the evening news on the "box", we could be forgiven for forgetting that there is a war on. All we see are blip's in computer crosshairs, as a multi-billion pound coalition force "neutralises the threat". In places where the macabre realities of trench warfare are seemingly forgotten, the worst crime is that the guerrillas and generals alike will forever still spout out the old lie "Dulce et decorum est pro patria mori."

written by, Samuel Arfield

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