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The film What's Eating Gilbert Grape directed by Lasse Hallstrom reflects social context through family relationships and how these relationships have rules and expectations, which influence the behaviour of the characters. The film reflects cultural context through the behaviour of the characters towards each other and how Hallstrom shows the good and bad of society throughout the film. The film reflects historical context through the setting and how a small mid-western town in America is slowly becoming outdated and is falling apart.
The social context reflected in the film begins with the Grape family. The whole family is weighed down with the responsibility of their mother with her six hundred pound frame pressing down on them keeping them clutched tightly in her desperate clasp. The narrowness of their lives begins with Gilbert and Arnie's yearly ritual as they wait for the Air stream trailer club to pass by. While they are waiting the camera angle is directed down on Gilbert emphasising the point that Gilbert is down, he feels he stuck and as Arnie describes him "Shrinking, shrinking, shrinking." When Gilbert describes his family he describes his brother Larry as "the one that got away". This gives the audience a clear impression that Gilbert envy's his brother for escaping Endora while he had the chance. Amy is the oldest sister who acts as the mother figure, Gilbert acts as the father figure keeping up the repairs and he is the patient one who takes care of Arnie. Arnie is a mentally challenged eighteen year old and Ellen is 15 years old and the youngest child of the family.
The Grape's meals emphasise not just the discord between the family members, but the way the director uses the camera to highlight this lack of harmony. A lot of one-shot views are used showing just one character on screen at a time suggesting their isolation from each other. These camera angles and composition of shots inside the house makes the feeling of constriction grow, with the screen reduced by the framework of doors, windows and characters themselves this suggests that these essentially good and well meaning people are stuck in the grooves of an all too familiar hopelessness.
Another family relationship in the film is the Carver family. Ken and Betty Carvers marriage is falling apart. Betty and Gilbert are having an affair and this contributes to the failure of their marriage. The Carver's themselves symbolise misery and frustration exemplified by Betty's attempts at cooking and Ken's desperate attempt to play with his children suggests a terrifying lack of understanding in their relationship.
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Another family relationship in the film is Becky and her Grandmother. Their family unit appears relaxed nurturing and fulfilling. Betty and her Grandmothers relationship flows together without any interruption or argument in a way that the Grape and Carver families do not.
The cultural context is reflected in the film by the affair between Betty and Gilbert. Betty uses Gilbert as her play toy. Gilbert at times even seems like a pawn in the game of the Carvers marriage. Betty says to Gilbert "I chose you because I knew you'd always be there and you'd never leave." The camera shows us Gilberts frozen expression of trapped hopelessness as he hears this. The cultural context is also reflected through the way Momma and Arnie are treated. Momma's is physically disabled. She is "Attached to the house….wedged in." Making her a joke to the town of Endora. She is treated as an outsider and is a social embarrassment to her family. Arnie is a mentally disabled eighteen year old who is treated by society like he should be acting his age. He instinctively seeks out high places to escape the reality of his world. We see him up trees, dangling from the roof and up the water tower. Arnie's climbing of the water tower seems to be of great annoyance to the police. But if the authorities were really fed up with this continuous drama, why isn't a safety fence erected? Maybe he is helping to keep them employed? It seems that Arnie is not at fault here but society itself is.
Historical context is reflected in the film when Gilbert says "living in Endora is like dancing to no music." Endora is a small mid-western town in America, which is slowly falling apart. The very name Endora suggests endings rather than beginnings. In scene two we see Endora itself where the only sign of life to be found is at the new Food Land, located significantly out of town. Gilbert works at Lamsons grocery but virtually everyone else shops at Food Land.
Historical context is also reflected in the film through Gilbert's two friends differing responses to life. One friend Bobby chooses death- he is a mortician while the other friend Tucker gets a job at the new Burger Barn one of the few signs that suggest qualified hope for the future.
Another subject that reflects historical context is when the male sex is seen as the more dominant characters. For example Mr. Carver goes to work while Mrs. Carver stays home and looks after the household chores and Gilbert goes out to work while his sisters stay home and look after Momma. Although the males think they are the more dominant sex it is actually the woman in the film who are the stronger characters.
The film What's eating Gilbert Grape uses social, cultural and historical contexts to create a very moving film that engages our interests in the nature of endurance, patience, courage, determination, loneliness, change and hope. By the end of the film there is a significant change in every character especially in Gilbert, with the gradual replacement of Betty with Becky being the strongest indication that Gilbert can now be free. With the arrival of the new Burger Barn the town of Endora now has significant hope to move forward and with the death of Momma the whole Grape family must learn how to break the cycle of frustration and entrapment and move on and embrace life.
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