Tuesday, August 6, 2019

Two veriations

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A Poet can Eloquently describes the great tragedy of young death. The Sorrowful tone of Seamus Heaneys "Mid Term Break," describes the unexpected demise of the speaker's four-year-old brother. While A.E. Housmans "To An Athlete Dying Young," celebrates the life of an athlete whose time on earth was shortened as well. Housman chose to emphasize the life of the subject in his poem while Heaney focused on the irony of young death. Heaney describes little of the Childs' life aside from his terrible fate of a life unlived, while Housman glorifies the Athletes life to the farthest extent, and does not focus on the sorrowful details.


In "Mid Term Break" the speaker is " in the college sick bay," watching the time unwind, "counting bells knelling classes to a close." Heaney gives the reader the feeling that a great amount of time has elapsed since the speaker has been "in the college sick bay," thus leaving the reader feeling anxious. The Speaker arrives at his house and tells us "I met my father crying." He also explains his father "had always taken funerals in stride," but as we can tell with his father's tears, there had been a great tragedy.


Amidst all this tragedy Heaney adds "the baby cooed and laughed as I rocked him in the pram," this brings a sense of new beginning. The baby is brought into the poem at a time of great anxiety, and adds life. The "whispers informed strangers I was the eldest," emphasizes the silence, which has taken over the house, so as even "whispers" can be heard. The mentioning of the "whispers" is key to addressing the uncomfortable feeling present in the house.


The eerie feeling present in "Mid Term Break," is replaced by celebration in "To An Athlete Dying Young."


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Monday, August 5, 2019

How does Shakespeare present the character of Henry V

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Henry V is presented as a strong and capable King.


Is this an accurate description of Shakespeare's


Henry V?


Henry VI became King by taking the crown off Richard II, Henry received the crown in 141 after his father died. Some say Henry V's behaviour was a punishment for his father's crime. Many people thought Henry would take advantage of his rights. People got this idea because of his wild, natural youth, even though he had witnessed a first hand account of war since the age of 1. Henry V had a reputation of drinking, gambling and lying. Henry therefore gave the impression he would be a bad king. Their opinions changed and so did Henry when he became King of England.


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Henry V was a brave skilled leader, he was realistic about the war he knew what the effect of war was and what was expected of him, he also knew many of his man would die as they English were out numbered. Henry was very down to earth and before the battle he chose to be with his soldiers, to see what they thought of the war and how they were feeling. Unlike the French and Dauphin who sat away from his soldiers in a tent of his own talking about his armour and horses.


He shows himself to be a king who is dominant. He ignores problems in England his home country so he can expand his empire and his assets in France. Henry took extreme risks and some how these risks did not bring him to a nasty downfall or disaster.


Henry is faulted for the need of insight; even thought the victory at Agincourt was exceptional, the British were soon to lose the French lands. Henry V appears to be almost immature in his irresponsible-risk-taking conduct. Shakespeare shows that if Henry had not been as successful as he was he would not have been thought of as a hero by the British instead they would of thought him to be greedy and therefore detested him.


The war was a glorious power in Henry's eyes waiting to be controlled. Henry however much of a bad youth still turned to his faith for help, unlike many kings he asked and waited for a reply from the church before he went to war. The church gave the idea to go to war because it would distract Henry from collecting the taxes form the church. In going to war with the French, he risked all of England that was a country that had its own share of problems. When Henry called upon the Bishop of Canterbury for his opinion on the justice of his claim to the French throne, he does it in a way that is intimidating he warns the bishop of the dangers. "And god forbid my dear and faithful lord, that you should fashion, wrest, or bow your reading "Act I, scene II, ll.1-14.


Henry knows he can make a claim to the French throne because the Salic law, which applies in England, states that " You can not inherit land through the mothers side of the family" luckily for Henry this law did not apply in France and his claim to the throne came form his great great grandmother.


Henry was a very good leader as he not only put his soldiers in danger he risked his own life. He had a lot of courage considering there were greatly out numbered. He was highly thought of and people honoured him and this meant a lot to Henry. He was very ambitious and talked a lot about his success that would happen, " Me in my throne in France." Act I scene II, ll. 76. Again before the battle of Harfleur he says "France being ours, we'll bend it to awe or break it all into pieces." Act I, Scene II, ll 5


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Friday, August 2, 2019

Analysis of the Film 'Proof'

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the film 'Proof,' by Jocelyn Moorhouse, Martin's obsessive search for proof is certainly justifiable but ultimately counter productive and misled. I completely agree with this statement. While his disability provides a sufficient reason for his obsession, it is the depth, stubbornness and single-minded desire for the truth, which is misguided. As a child, Martin had no trust for his mother, leading to his insecurities as an adult. Through his camera Martin's attempts to discover the truth begin to control his life, affecting the way he thinks, behaves and lives. His quest works against him, ruining his relationships and stopping him from moving on until he finally learns to understand others, ironically through Andy's lie.


Through the many carefully sequenced flashbacks in the film, we learn about Martin's childhood and the origins of his insecurities. His relationship with his mother was distant and floored with mistrust. Moorhouse uses extreme close-ups of her lips and in the connecting scene, Celia's lips to link Martin's childhood with his adult life and convey the message of mistrust for the two women in his life. When his mother tried to describe for him the view from their flat window, Martin was very cynical, insisting that she was lying and refusing to believe what she said. When she questioned him as to why she would lie to him, he replied simply, 'Because you can,' (Scene 10). This early-developed theory that people will lie to him because they can, stays with Martin for his whole life, fuelling his obsession with the truth as an adult.


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Thursday, August 1, 2019

My Year of Meats by Ruth Ozaki

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"The truth is so much more complex" (60), states Jane Tagaki-Little, the main character and partial narrator of Ruth Ozaki's story My Year of Meats. In this one statement, Jane sums up the essence of this complicated story about the lives of two women and a struggle with truth and reality. One woman, Jane, lives in America and directs a documentary called My American Wife, and the other, named Akiko Ueno, lives in Japan with an abusive husband. The lives of these women remarkably intertwine as both women change and discover their real selves. The words real or reality, truth, authenticity, and fiction are used numerous times throughout this story, and these words, the documentary, the lives of Jane and Akiko, and the reader's view all comprise the underlying theme that exists throughout My Year of Meats of a postmodern centerless reality where there is no absolute truth .


Jane's documentary is headed by Mr. Joichi Ueno, husband of Akiko. The point of the documentary is to sell meat from BEEF-EX to the Japanese people. This is done by taping an American family cooking and eating delicious red meat and airing the program in Japan. The programs are then rated through a variety of categories, including General Interest, Educational Value, Wholesomeness, Deliciousness of Meat, and, most importantly, Authenticity. Joichi, also called John, instructs Akiko to fill out a questionnaire and score each category from one to ten. Authenticity proves a very difficult category to rate, however, because "[Akiko] never felt sure of anything at all" (). More than that, though, it is nearly impossible to actually define authenticity. Is authenticity what is different and therefore seems real, or is it what is expected and stereotypical? Different characters have different opinions on this question, and it is never completely answered in My Year of Meats, leaving the reader with the possible answer of relative truths and relative realities.


Real, fiction, and truth are words that are used similarly to authenticity in this story. For example, Jane states that the documentary "wasn't real at all" (8) and that she could create "a seamless flow in a reality that was no longer [the wives'] and not quite so real anymore" (17). Another quote that relates to the documentary as well to life in general is "Maybe sometimes you have to make things up, to tell truths that alter the outcome" (60). Although this is reiterating, these documentaries are supposed to portray real American families realistically enjoying their oh-so-important meat. However, the documentaries are shaped significantly by editing. For example, the episode of My American Wife with Suzy Flowers was edited to be quite different from reality. In actuality, Suzy's husband left her after disclosing the information that he cheated on her. The documentary, however, ended the show with a loving kiss between a "reunited" husband and wife, again exemplifying a convoluted and relative sense of reality. To further contort our understanding of reality, at the end of the story, Suzy and her husband do indeed reunite after viewing the altered program.


In the conclusion of her story, Jane summarizes her experience by saying "In the Year of Meats, truth wasn't stranger than fiction; it was fiction" (60). This quote relates to the entire story as well as Jane and Akiko's lives. In the documentary, Jane makes fiction appear to be truth, and Akiko believes that Jane's fiction is truth. Furthermore, events occur in both of their lives that they previously thought were impossible or fictional. Jane discovers truths about herself and meat that she never would have imagined. Akiko realizes truths about herself, as well.


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Throughout Jane's Year of Meats, she learns about the terrible, unhealthy, and unethical ways that cattle are treated. She also slowly uncovers information about a hormone called DES which is now illegal. The more she discovers, the more she puts the pieces together until she finally realizes that her mother took this drug when Jane was in her womb. Thus the reason for Jane's inability to bear children, a reality that one would never imagine to be real. In addition to that shocking news, Jane discovers that she is miraculously with child even though she should not be capable of pregnancy. This one again arises the question of absolute truth and the suggested answer that it does not truly exist.


Akiko encounters some similar problems in her life that force her to question the four thematic words reality, truth, authenticity, and fiction. Akiko lives a miserable life with John. He beats her, belittles her, and truly does not love her. Akiko and John are unable to have a child together either. Their reason is because Akiko has become bulimic as a rebellion against John and no longer gets her period. However, Akiko is motivated to pursue a better life by Jane's real documentaries, so she becomes healthy again, gets pregnant with John's baby, and leaves him. These are all actions that Akiko never thought she was capable of, and she makes her fiction a reality while using the fiction that she believed is real to encourage her.


Along with Jane and Akiko, the reader of this story is also compelled to question what is real. The reader does not know if the information presented about the conditions of cattle and the illegal use and overuse of hormones is true. The reader does not know if there ever was a girl like Rosie Dunn or women like Jane who cannot have children because of the misuse of a hormone called DES. The reader does not know if there even is a hormone called DES. Or perhaps the reader would prefer to not know whether Jane's truths are truths indeed. Aside from that aspect, the reader also questions the author of the book because of the last two pages. "I don't think I can change my future simply by writing a happy ending...So here it is. My Year of Meats. Not so easy. But done" (61) says Jane, whom the reader previously had thought of as the narrator rather than the author. Now the reader must ask, "whose reality is this?"


Truth, reality, authenticity, and fiction are all questioned in My Year of Meats from every angle. Akiko and Jane both question these four confusing words, as does the reader. Most of the evidence from the story seems to prove that there is no absolute truth in this world. It proves that reality is relative and centerless. It is hard to know what to believe is true. Maybe it is phrased best here by Akiko "It['s] true. You never know" (7).


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