Thursday, December 10, 2020

Character Analysis, Happy Loman from Death of a Salesman

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Have you ever felt that what you said or what you did could never impress those you love because they were more focused on the other sibling? This is half the case for Happy Loman, who is the younger sibling of the two Loman brothers. He has often been in the shadow of Biff, hoping for some recognition by his father, Willy Loman. Happy has a steady job, a stable home, and undividing love for both his parents, however he is not content with his more stable life, because he has never risked failure or experienced any measure of success.


Happy Loman is thirty-two years old, powerfully built, tall, and sexually appealing. "Sometimes I want to just rip my clothes off in the middle of the store and outbox that goddam merchandise manager. I mean I can outbox, outrun, and outlift anybody in that store," Happy said (Miller, 145). Sexuality is like a visible color on him, or a scent that many women have discovered. Happy treats women the same from the beginning of the play to the end. When Happy is introduced, there is an automatic recognition that he loves women and is simply a womanizer. In proving this point, Happy's dialogue proves that he is a compulsive womanizer who treats women purely as sex objects and has little respect for the many he seduces, "The only trouble is, it gets like bowling or something. I just keep knockin' them over and it doesn't mean anything" (146). For Happy, sexuality is a way that he relieves himself whenever he feels disgusted, "I get that any time I want, Biff. Whenever I feel disgusted. The only trouble is, it gets like bowling or something. I just keep knockin' them over and it doesn't mean anything" (146). Happy seduces women in whom he has no real interest, especially women engaged to executives above him in the corporate structure, "I don't know what gets into me, maybe I just have an overdeveloped sense of competition or something, but I went and ruined her, and furthermore I can't get rid of her" (146). Happy uses women to bring himself up so, that he could feel more confident and desired. Another reason is that he would seduce the executives' wives so that he could undermine the executives to feel that he was of some self-importance. A major reason why he is a womanizer is because he yearns for attention, due to the fact that he never received it from his mother, Linda. Linda feels that both Happy and Biff are the causes to Willy's problems because they are disappointments and failures. Later on in the play, Happy reveals that he wants to meet a woman of substance like his mother, but he never will because he loves the attention of many women and is unfit to be loyal to just one woman.


Happy is quite confident that he is on the right track, but yet at the same time, he is lonely. Happy dreams of being successful and has the general idea of how it will feel, but has no clue on how to obtain it. "I gotta show some of those pompous, self-important executives over there that Hap Loman can make the grade. I want to walk into the store the way he walks in" (146). Happy wants to be successful, just like the executives, but he never will be successful because he doesn't have any ambition to get him where he wants to go and to be. He has this dream that he will not let go, but sooner or later he will realize that he didn't amount to anything. Happy feels that he knows more than the merchandise manager and has a dire want to be the merchandise manager, "I got more in my pinky finger than he's got in his head" (146). Happy also plans to stay right there in the city to show everyone that, "I'm gonna beat this racket! The Loman Brothers!" (105). Over Willy's grave he exclaims, "…Willy Loman did not die in vain. He had a good dream. It's the only dream you can have-to come out number-one man." (106).


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When Willy is having one of his flashbacks there is a dialogue that reveals how Willy is towards Happy. "I'm losing weight, you notice, Pop?" said Happy (150). In return, Willy doesn't say anything to Happy; he brushes him away leaving him without any recognition or congratulation. In the scenes from the past Happy does everything in his power to get his father to notice him. He keeps up a vigorous routine of exercises, and his refrain as a boy is to ask his father whether he notices that he's losing weight. It's almost as though he's asking Willy whether he sees him at all. However, Happy always tries to be on Willy's good side and to keep him happy, even if it means perpetuating the lies and illusions that Willy lives in. In the middle of the play, you see that Happy, no matter what, tries to please and make Willy content. When Biff doesn't get the loan or even the chance to meet Bill Oliver, Happy urges Biff to tell his father that they have a lunch date tomorrow.


However, Linda views Happy as a "philandering bum-" (16). Linda is well aware of Happy's affairs with many women. In the end of the play, when Happy leads the desertion of his father, at the restaurant, Linda has bitter resentment towards Happy, "Did you have to go to women tonight? You and your lousy rotten whores!" (17). At this point, Linda is heart broken and has an immense amount of resentment towards Happy for not loving and helping Willy at his most distraught moments. When Happy tries to gain recognition by his parents by saying, "I'm losing weight, you notice, Pop?" and "I'm gonna get married, Mom. I wanted to tell you.", they ignore him as if he is invisible. Happy has learned to say what people want to hear, but neither of his parents take him seriously.


As the play progresses there is a realization that Happy only cares about Happy. A perfect example is when Happy abandons Willy in his most distraught moments, saying to the girls he's picked up, "No, that's not my father. He's just a guy" (1). It's no wonder Happy rejects his father after his father's lifetime rejection of him. However, Happy is always saying that he wants to help, but when it comes to that point, Happy backs down and leaves the mess to someone else.


There are many parallels that are between Happy and Willy. Happy is the stunted incarnation of Willy's worst traits and the embodiment of the lie of the happy American Dream. He shares Willy's capacity for self-delusion, trumpeting himself as the assistant buyer at his store, when in reality; he is only an assistant to the assistant buyer. It would make perfectly sense if Happy was the favorite rather than Biff because Happy and Willy have so much in common.


Happy is one-dimensional and static throughout the play having no realization of what actually went on, "All right, boy. I'm gonna show you and everybody else that Willy Loman did not die in vain. He had a good ream. It's the only dream you can have-to come out number-one man. He fought it out here, and this is where I'm gonna win it for him" (106). In the end of the play, Happy cannot see reality, like his father, he is destined to live a fruitless life trying for something that will never happen. After Willy's death Happy plans to carry on Willy's unrealistic notions of success, "I'm staying right in this city, and I'm gonna beat this racket! The Loman Brothers!" (105).


After living in the shadow of Biff throughout his childhood, Happy tries to mask his lack of self-confidence by surrounding himself with women and pretending that everything is okay. Happy is seemingly content and successful, with a steady career and none of the obvious marks of failure than his older brother displays. However, he is very lonely and longs for the chance to prove himself. On the face of it, the grown-up Happy appears to have achieved the things Willy wanted for his boys, a steady job, the social life of a popular single man, a car, and his own expensive apartment. Happy sees everything from a straight narrow path and never achieves things that are beyond his reach. He simply awaits his destiny hoping that he will be given the ultimate, superior dream and opportunity.


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