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Coen Noir
An important question in film is, what makes a classic movie? There are many things that make a classic movie and only a small percent of films become "classics". The Man Who Wasn't There directed and written by Joel and Ethan Coen, photography by Roger Deakins, music by Cartrer Burwell and starring Billy Bob Thorton, Frances McDormoan, James Gandolfini and John Pollito, is a classic movie in progress. It hasn't been around long enough to actually be a classic, but with it's relevancy and truth; the immense and personal emotional response and cinematic form such as its revisibility and unity, beauty and treatment it will be considered so in the future.
This film has relevance that fits not only the present and the future but the past as well. The film focuses a lot on greed and money. It is greed and money that the drives the businessman in town. It is greed and money that drives Ed Crane (Billy Bob Thorton) to blackmailing Big Dave because of the affair he was having with his wife. Big Dave married his pursed lips wife for the money in her family so he can manage a department store. It is money that can get Ed a good lawyer like Freddy Redenshneider to help Doris get pleaded innocent. Greed and adultery are and have been a part of human society since civilization began. This film focuses a lot on wrongfully accusing people of murder. At the end a life is taken for the wrong reason. The reason Ed went so nicely to the electric chair is because he did kill Big Dave so he did deserve it. It is morals and experimenting with how far they will go that makes people in general at any era relate. It is because of these concepts and how they are treated that will make it relevant to people in the future.
Having the film shot on location instead of on a stage makes the movie more realistic and realistic to many generations. One of the most relevant concepts of all is the aspect of family. It puts the not just the pain of knowing your spouse is having an affair but the awkwardness as well. A scene in the movie that has a lot to do with family is during the wedding of Doris's cousin. Her Aunt asks her when she's going to bear children because they had not had children yet. It also gives the idea of homosexuality and that was and still is not accepted by all people. It is a theory that Ed Crane is a closet homosexual and that is why he doesn't satisfy his wife so she has an affair. Or why he resisted Birdie in the car that would lure him if he were straight. It is family that Doris's brother says, sticks together in time of need referring to Doris being accused of murdering Big Dave.
It deals a lot with murder and society. Murders are committed and any time, present, past and future because of jealousy, rage and self-defense. It is something people will be dealing with time and again. Always with murder there is wrongfully accused. Ed Crane's wife was wrongfully accused for the killing of Big Dave that Ed had done. Ed Crane was accused of murder that Big Dave had done, and got the death penalty. The Coen brothers have always been politically alert in their movies. This movie was made around the same time as the O.J. Simpson trials and Fredenshnier, the lawyer, was influenced by Johnny Cochren and even rhymed like him in the movie. "Litigate to Compensate."
The emotional response of this makes the viewers not only care for the characters, but feel what the characters are feeling. Getting a sense of awkwardness when Big Dave called Ed down to his store to tell him he knew he bribed him for having an affair with his wife. The viewer cares for Ed when Big Dave is succeeding in almost killing him. The viewer cares 15 seconds later for Big Dave gargling on his stomach on the floor and then dying. The focus on Ed's hands here makes the viewer surprised and curious. The musical score allowed the viewer to feel the escape and freedom he heard from Birdie's playing. The soothing voice over of Billy Bob Thorton adds to the viewer caring for Ed. The Cinematic form during the musical scores were another aspect that made viewers feel more for the characters. The Coen brothers did a good job making Ed and Doris's brother (chair one at the barber shop) Frank as opposite as can be. Frank talks a lot and Ed is quiet. Frank does everything opposite of Ed. This makes the viewer understand and care for Ed more.
I think the cinematic form also helped the revisibility and unity into the film. The film maintains the viewer's enjoyment over numerous viewings because of its black and white with use of shadows make viewings enjoyable. The secrets the characters hide from each other and the reactions of the characters to surprises, made it compelling and complex. When Ed Crane was called out of the barbershop by the detectives expecting to get arrested was instead told his wife was "pinched" for the murder of Big Dave. The viewer is as surprised as Ed Crane yet he manages not to show any emotion at all about it. There is definitely no element wasted. Billy Bob Thorton's harsh faces and emotionless everything fit well to his character. Everything was balanced and neatly tied up, and at the same time pushing the boundaries. The scene in the car with Birdie and Ed Crane was so surprising and complex at the same time makes viewers want to see it again to see if they can find something more in it.
The beauty and treatment were done with great style. The Coen brothers are known for there stylizing aspects. The fact that this movie was made in black and white adds a lot of nostalgia The shadows frequently made faces look distorted or have a dark side. With Billy Bob Thorton's lack of emotion it was the perfect role for black and white film. The beauty of smooth movement of the camera and long takes made the movie flow elegantly. Black and white, the use of the music in this film and the slow music play into the idea of a noir film. The Coen brothers are notorious for their exquisite camera treatment. Camera angles were used intensly throughout the entire movie. In the scene where Ed is walking home from killing Big Dave there is numerous different interesting wide shot angles of him walking in the dark street. One purely great thing the Coen brothers did in this movie, is that they made the viewer see Ed's point of view as he is walking towards the electric chair for his electrocution.
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