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Trainspotting Symbolism, Representation, and Point of View
In Danny Boyle's 16 film, Trainspotting, audiences are escorted through the life and heroin addiction of Mark Renton (Ewan McGregor), and introduced to the idiosyncrasies and short comings of his friends. Throughout the film, Mark's situation and disposition, as well as the position of the viewers, are displayed through symbolism and representation, presented within the cinematography and storyline.
In the opening scene viewers are introduced to Mark and his friends as they are running through the streets of Edinburgh, Scotland. A quick close up of feet is followed by a medium close up of the characters' faces and then a medium close up from behind. Immediately following the shot from behind the hand held technique is used to experience Mark's point of view as he's running. These fairly quick transitions lead the viewer to the position of a witness, as they are watching from behind, to Mark's point of view. This type of technique is used continuously throughout the film and allows a sense of experience and understanding for the main character's situation. An understanding of the character by the viewer is very necessary, especially when the activities of the main character are not socially acceptable, in this case heroin addiction and theft. Without the understanding of the viewer, it may be more difficult for them to accept such activities and can generate a blind and uninformed judgment.
Along with point of view, the beginning camera shots with their swift transitions, represent the chaotic lifestyle led by the main character. The idea of chaos is also present in the rapidly edited scene where Mark and Spud are sharing a milkshake. The quick cuts, followed by very rapid conversation and the exchange of speed assist in an intense and fast pace viewing of an equally intense and fast paced lifestyle.
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How a scene is interpreted can be heavily dictated by the dominant color scheme. While Mark is in Scotland, the color scheme remains red, green and blue. The warm color red, contrasts with the cool colors green and blue. These contrasting colors can be interpreted as being related to Mark's bad choices and hidden potential for a better life. In the scenes that Mark is using heroin, red is usually the dominant color. Red is a color used in signs and stoplights and is associated with danger. Sometimes a blue light shines on a corner of the frame and/or the scene contains something with a large amount of green on it. Blue, most often associated with sadness, can be interpreted as representing the sadness and regret Mark feels about the lifestyle he has chosen. Green, a color used to represent sickness may also represent a hidden distaste and disgust for his addiction.
When Mark cleans up his act and goes to England the color scheme is brighter and contains more orange. Orange is generally a happier and brighter color, representing a happier future. When Mark's friend, Begby, shows up at his apartment, the color red begins to appear more often in the scene. With the steady increase of red, the viewer is led to Mark's return to Scotland for his friend's funeral and a huge heroin deal.
Corrigan, Timothy. A Short Guide to Writing About Film.
New York Longman, 001
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