Wednesday, May 20, 2020

Blackwell county in response to the book

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Blackwell County


Society in Blackwell County is built upon political connections and family routes. Chances are that if you were born into a poor family in the mountains, you will have no chance of elevating yourself to a higher social class. There was not one rags to riches story throughout the essay. The county is run by the minority of wealthy that live there. Each side (the wealthy and the poor) seemed to have misconceptions about what they believed the other was like.


A common theme throughout seemed to be that the rich are getting richer and the poor are becoming more abundant. Communication is severely lacking between the two groups, which is why they exist independently of each other. The people who live in the mountains have a corrupt and unsuccessful school system where dropping out by high school is commonplace. The other sector that sends their children to the prestigious city school have an abnormal amount of students that continue onto college. Most of the time these children return to Blackwell County where they occupy high paying jobs.


The two most prominent men in the community, Creed Parker and Joey Scott, seem to have a monopoly on the entire county. If they do not own something, then they have the power to influence decisions. People are afraid of being blackballed so they try their best to appease Parker and Scott. Though Parker and Scott employ thousands, they do not pay well. Scott admits to hiring his employees based on who he knows and the age of the employer. He claims that he hires well to do high school kids because they are going somewhere in life; he readily admits that he doesn't have much respect for a person who accepts being a grocery bagger their whole life.


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Many of the poor in the county are illiterate and not skilled. Most accept the fact that they cannot move up in society and they happily collect their welfare checks. There are some however, who want to get a job but either cannot find steady work or don't earn enough to pay the bills. This is a direct result of politics in the community and the continual class segregation that will undoubtedly persist for years to come. There will be no positive resolution until the upper class is willing to accept the lower class into society by helping to build a better education system reinforced by social programs willing to integrate them into the working class. Until then, there will be no avenues to upward social mobility in Blackwell County.


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Tuesday, May 19, 2020

Analytical essay - MacBeth film comparison

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Deemed as one of Shakespeare's most tragic plays, 'MacBeth' ventures deep within the dark side of human nature. What makes Shakespeare's plays successful is that the themes behind them are still relevant in today's society. Two directors, Polanski and Freestone, have tried to recapture the story of MacBeth through the use of film. A comparison between the two separate versions can be found in scenes such the 'killing of King Duncan' scene. While Polanski has decided to truly reflect human nature, Freestone wanted to recapture the general storyline without too much manipulation of the text, but creative visuals. This comparison reflects the director's interpretation of the play, and their view behind the theme of the play.


A more political approach was used in Polanski's version of the play. This is highlighted by King Duncan's crown, which he wore in his sleep. When MacBeth first struck Duncan, a cut away of the crown falling to the ground was used. Not until the death of Duncan did the crown stop spinning. This symbolises the political decline of King Duncan, and the royal beginning for MacBeth. The impression of MacBeth's motives in Polanski's version is that he was only killing Duncan for Political reasons. Polanski has deliberately intended this to add an 'only business' attitude to the scene, maintaining realism and human nature. Freestone intentions to recreate the general storyline were clear as he uses religion as opposed to politics. As religion was a big part of society back then, he shows Lady MacBeth wearing a cross, and more importantly, gives King Duncan a God like appearance.


It is extremely obvious that Polanski's film contains more gore than freestones film. When Polanski's MacBeth is striking Duncan with the dagger, the penetration of the dagger into Duncan's body is not discrete. More bloody violence is further emphasized with a close up of the dagger going through Duncan's neck and blood spurting all over MacBeth. The blood in Polanski's film is also more red and thick compared to Freestone's. Instead, Freestone conveys a more physiological violence with the aid of Lady MacBeth's red dress. Furthermore, when Lady MacBeth finishes off Duncan, she seems to have enjoyed killing him as she came out with an insane grin on her face. Perhaps Polanski has made his version gorier because his past experiences of World War Two influenced his view of reality.


The director's view of women is expressed fully by the nature and characterisation of Lady MacBeth. Where Polanski's view of Lady MacBeth is portrayed as being a guide to MacBeth, Freestone version of lady MacBeth is manipulative. Polanski's version of Lady MacBeth is more upset when she finds out MacBeth still has the daggers whereas Freestone's Lady MacBeth is angry and implies that MacBeth is useless. Polanski's view of women is neutral as he keeps the realism of females and how they were expected to act back in that era. Perhaps Freestone deliberately used Lady MacBeth as a manipulative tool and defied the ideology of women in that era because of his opinion of women today.


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Lighting has a significant effect in helping to reinforce the aim of both films. As Polanski wanted to integrate realism into his film, natural light such as the fading darkness was used to create a realistic version of Duncan's chamber at the crack of dawn. Freestone's use of lighting was more unrealistic with a distinct blue glow surrounding MacBeth as he opened Duncan's chamber door. Obviously freestone wished to fully emphasize the significance of the scene, as his only intention was to recreate the storyline effectively.


Although viewers may dislike Polanski's version of MacBeth after the murder, they still might empathize with him as he hesitates to kill him, and the fact he might not have killed him if Duncan would not have woken up. The impression is that MacBeth killed Duncan through fear and regrets doing it. Freestone's MacBeth walks straight in the chamber quickly and wounds Duncan in one angry blow with his dagger. Comparing both scenes, viewers will dislike Freestone's version of MacBeth more than Polanski's human nature driven MacBeth. Freestone probable sees the play as a violent tragedy whereas Polanski probably sees the play as a tragedy upon human nature.


It is consistently shown throughout the murder scene and the whole play that Polanski and Freestone's versions indeed reflect the director's own interpretation and views of society. It was found that Polanski's film was more of a Didactic version of MacBeth and Freestone's film was a one dimensional storyline emphasizing MacBeth's decent into evil. While Freestone's 'MacBeth' is an effective recreation of the original play, Polanski's 'MacBeth' seems to be more successful in upholding the main theme Shakespeare placed upon his play.


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Monday, May 18, 2020

3 Unit English HSC Postmodernism and perscribed Texts.

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1. How effectively does Possession by A.S Byatt reflect and/or challenge the dominant ways of thinking of the time in which it was composed?


The year 10 saw the publication of A.S Byatt's Possession-A Romance. Composed during a time where the dominant discourse in literature, academia, architecture and ideology was consumed by postmodernism. Byatt conscious of the movement has effectively created a text that incorporates post-modern elements, through the use of bricolage, pastiche and a strong sense of self-reflexivity in a fragmented plot with a hybrid of genres. As well as reflecting postmodernism, Byatt challenges the movement through constructing a 1th Century Victorian love story with a conclusive ending and linear storyline.


Postmodernism was a movement, perhaps reaching its pinnacle during the 180's and 0's by challenging 'traditionalist' conventions in religion, art, music and most notably literature. All were disregarded or challenged by a 'new' dominant way of thinking and interpreting. Byatt has successfully been able to incorporate postmodern ideals through a text that is highly self-reflective in its narrative.


The self-reflexivity used by Byatt is prominent throughout most of the novel, where the responder is forced to focus on his/her role within the text rather than a preconceived idea formulated by Byatt. Where parts of the text are 'missing' or open to interpretation, as a result of textual fragmentation, Byatt consciously and subtly self-reflects to portray her thoughts, through the characters of Maud and Roland.


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" Coherence and closure are deep human desires that are presently unfashionable." P 4. From this quote the responder is allowed an insight into the mind of Byatt, who is perhaps insinuating a 'romance' will not occur between the novels contemporary protagonists, as this would not correspond with the principles of postmodernism. "Where these thoughts original?" Where Maud and Roland become conscious of their role within the text, Byatt is subtly revealing her own postmodern convictions, whilst admitting to her inability to produce a piece of original text.


Therefore the logic behind Possession merely reflecting a Victorian romance, one where contemporary characters are forced to follow the steps of their predecessors as Byatt is also compelled to do.


The film Moulin Rouge directed by Baz Lurhmann also adopts self-reflective techniques by the premeditated use of anachronism, to de legitimise the text as being nothing more than fictitious, allowing the responder to be all too aware that it is not reality, merely a musical and theatrical montage of appropriated contexts. Moulin Rouge uses self-reflexivity by including frames in a film regarding the making a stage play. The remarks mad by the Duke, "At the end should someone die?" Also acknowledges the 'rules' of a text and acknowledges itself as an integral part of these conventions.


Correspondingly Rosencrantz and Guildenstern are Dead, composed by Tom Stoppard, is also highly self-reflective. Stoppard gives two minor characters from Shakespeare's Hamlet major roles. Both characters are knowingly aware of their position within the text as they discover their purpose. The outcome is predetermined through the title, however questions for a conclusive narrative are never met, and the responder is left to construe meaning.


Simulacra is another technique employed by Byatt that reflects 'post-modernism'. Simulacra is defined by Jean Baudillard as, "the present unable to progress and must continue to parallel and build upon the past." Therefore history has ended and may only evolve by repeating itself. The concept of simulacra is implored by Maud, Roland and Val. Involved in a contemporary love triangle their lives mirror that of their Victorian counterparts Christabel, Ash and Ellen. The actions and lives of Randolph Henry Ash and Christabel LaMotte become so integral that without their relationship Maud and Roland's could not exist. "Roland thought…that he and Maud were being driven by a plot or fate…not their own fate or plot but that of those other"p41.


Simulacra is a technique used also in Moulin Rouge, where characters instead of forming there own original thoughts, ideas, music and dialogue opt to express themselves through contemporary artists, such as U, and John Lennon.


Bricolage is a prominent postmodern technique used by Byatt throughout Possession, to legitimise the relationship between Ash and LaMotte. Possession contains many different literary exserts including letters, poems, fairytales and short stories. These do not detract form the plot but rather give Possession its historical/detective genre. Although very fragmented the letters allow the relationship between Ash and LaMotte a greater depth. The bricolage of texts creates intrigue, holds suspense and provides clues as part of the novel's detective genre. This is no more obvious than in the rhymes of "Tales For Innocence" in chapter five where LaMottes' rhymes give the responder a preordained idea as to the location of the love letters.


Whilst Possession reflects postmodernism, it also paradoxically challenges it. Through the acknowledgement of absolute truths, such as 'love'. The title itself works to offer a set of "Mills and Boom" principles and instantly allows the responder to recognise its foremost genre. The realisation that Maud and Roland have discovered love, an idealistic notion that holds modern ideals and challenges postmodernism. Both Maud and Roland do believe in structure and absolute truths. Even though the quote "We live in the truth of what Freud discovered…we are really free to suppose." 45, incorporates pastiche by quoting academic work of Sigmund Freud, the ideal in its simplest form is 'truth' a concept that does not exist in post-modern context. Although Maud later quotes "We never say the word love-we know it's a suspect ideological construct." Maud and Roland are ultimately forced to acknowledge an absolute truth in love for they are compelled to follow the paths of LaMotte and Ash, in a time where postmodernism and its conventions did not exist


Similarly Moulin Rouge challenges postmodernism through its acceptance of absolute truth. It upholds the absolute truths of "beauty, freedom and above all things love." The film is also has a conclusive storyline, in the same way as Possession, Moulin Rouge has a distinct ending and leaves little to interpretation.


One way in which Possession challenges postmodernism is its linear time frame, and structure. Chapter by chapter we uncover more of the mystery; characters evolve in a structured and progressive frame. Although often fragmented by use of bricolage and a hybrid of genres. The novel does have a beginning, middle and end. Byatt also includes a postscript and preface that beginning the novel with a piece from The House of Seven Gables. Therefore the romance is of a traditional sense with a conclusive resolution and a coherent storyline.


And as in a traditional detective novel all conflicts have a resolution, with the mystery


uncovered. Also evident is the Victorian realities of romance, history, science and literature a recovery of true life, and of a realism in poetry. The conventions of the Victorian era are portrayed by Byatt in Ash's Swammerdam although constructed by Byatt herself the ideology and beliefs portrayed in Swammerdamm challenge postmodernism in that they do no reflect the dominant way of thinking from which the text was actually composed.


Parody is another way Byatt challenges the dominant way of thinking. According to post modernism parody has become extinct and has been replaced by 'Black Parody'.


However through characters such as Leonora Stern, Black Adder and Cropper Byatt deliberately set out to ridicule and stereotype through characterisation and word play.


Scream is an example of a postmodern text that both reflects and challenges in similar ways. Resembling Possession, Scream is also 'self-reflective', with a plot that has no independence. Characters are compelled to follow "the rules" of a horror film. Director Wes Craven has imitated Byatt by also incorporating parody in stereo typed characters. Sidney Prescott plays the quiet high school beauty, her friend Tatum plays the role of naive pretty blonde cheer girl, who is absolutely helpless and "guaranteed to be a victim" according to geek Randy who no one listens to but has all the answers, and Gale Weathers a corny news reporter who is over eager and all too enthused. All characters are a parody of Hollywood horror film convention and like the characters in Possession set to confront the dominant way of thinking by challenging postmodernism.


The complete rejection of postmodern ideals by both Maud and Roland despite they're living in a postmodern world is another way Byatt challenges postmodernism. The negativity of postmodernism is felt by Roland and Maud who need structure and limitations, "a clean empty bed, in a clean empty room." P67. Also through the satire of Leonora Stern an American Lesbian academic. Byatt is able to de-legitimise postmodernism, as Leonora is the embodiment of over emphasised theories. Through her chiefly postmodern papers, and ideas relating to LaMotte's poetry she saturates it with ridiculous and outlandish inferences.


Overall Possession paradoxically reflects and challenges dominant ways of thinking from the era it was composed. Byatt incorporates postmodern techniques such as bricolage, pastiche and simulacra all contained within a highly self-reflective narrative. However it also though parody, structure and conflicts becoming resolved with a definitive ending to the text that Byatt is able to challenge postmodernism, an make inferences to other ideology such as Freudianism and Darwinism, that shape the 'Victorian' ways of thinking portrayed through the lives of Ash and LaMotte providing a stark contrast of ideas and set rules.


B.M Rousek.


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Effects of alcohol

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Persuasive Essay


Drinking should be banned from public places and should only be used at home. Why do I think this way? Alcohol usually drunk at a public place like a bar, leads to horrible disasters such as car crashes. Not only does alcohol hurt you, it puts other lives on the roads at risk. Surveys have discovered that more than fifty percent of high school seniors have drunk alcohol rather than any other drugs (Grosshandler 6). This makes alcohol one of the most popular drinks for the young teenagers. Knowing that alcohol is used the most rather than any other drugs; there may soon be an increase on drunk drivers and a decrease of sober drivers. Since the consequences are not severe enough, alcohol should just be banned from public places so that the roads will be safer. Therefore, I think alcohol should be banned from public places because it affects the driver drink home, it affects the body of the drinker and it will definitely make the roads as safe as your home.


The most obvious way alcohol affects you after drinking is the way you drive.


Alcohol loosens the muscles of a body causing your eyes to function in a different way. First of all, it affects the focus of the eye. Since the muscles that control your eyes are relaxed, your eyes will not allow the images received penetrate to your brain (Grosshandler 4). The brain, the most important organ to help you do whatever your intending to do, will not be able to see clear images since the alcohol had already relaxed the muscles. This will make your vision seem like a person who has just lost their glasses a sees nothing but blurry images. Moreover, if you try to focus, you may see doubles. Your muscles try to work while its relaxed but instead of helping you see, it makes your eyes see two things. Most car accidents happen when double vision occurs. Drunk drivers drive closer and closer to their destination but then they see doubles. Now the brain cannot decide which way to go to pass the car ahead since there is a car in front of the driver and your eyes see two cars (Grosshandler 4). Boom! Now the driver has an accident. Double vision is only one way that can lead you into a dreadful accident. Last, the alcohol affects how the drunk driver's eyes react to the headlights of another car (Grosshandler 4). When a human is sober, their pupils adjust so that it does not harm your eyes. Darkness makes the pupils grow bigger, and brightness makes the pupils smaller. When you are drunk, the pupils contract after contacting with bright lights and it takes the pupil a longer time to adjust back to normal. This contraction leaves a driver in their car driving and not being able to see for several seconds (Grosshandler 4). This is one reason alcohol should be banned from public places.


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Wednesday, May 13, 2020

"Analysis of a Narrative: George Orwell's "Shooting An Elephant"

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George Orwell's works are very compelling and descriptive. I have previously read the story "Animal Farm," which was also by Orwell. Seeing different works by the same author has been beneficial because I know that there is more than one way to write an interesting essay. In "Shooting An Elephant" Orwell depicts an intriguing narrative essay that motivates his readers'. In it Orwell describes how he is hated by the Burmans and Buddhist priest because he is an officer for the British Empire. One day a sub-inspector from the police station calls and tells him there is an elephant that has broken loose and is going through the village causing destruction. The trainer is too far away from the elephant, so Orwell has to think of something. After he finds the elephant he is faced with the decision on whether or not to shoot it. All the Burmans are there waiting on him to kill the elephant so they can use it as food. So finally, he gives into the pressure from the Burmans and kills it so he doesn't look like a fool. At first this essay may seem bland to some, but as the reader continues they are captivated by his conflicts, narrative points, how he relates everything back to his thesis, and his descriptive details. This is what makes Orwell's essay such a good example of a narrative.


Displayed in the essay are not only internal conflicts that Orwell deals with, but external ones as well. The first conflict introduced was man versus man. The Burmans and Buddhist priests do not like Orwell because he is a European police officer for the British Empire. This is ironic because he disliked the Burmans too. He stated "that the greatest joy in the world would be to drive a bayonet into a Buddhist priest's guts" (10). This is a good example of how there can be more than one conflict within a story and within a main character. Then, the conflict man verses self came about after Orwell finds the elephant and he has to make a decision on whether or not to shoot it.


People can perceive this essay's narrative point differently because there are many good ideas illustrated. Some may be hard to find but personally, I found the narrative point easily at the beginning of the essay. Orwell states, "It was a tiny incident in itself, but it gave me a better glimpse than I had had before of the real nature of imperialism-the real motives for which despotic governments act" (10). Reader's may go over and over an essay and never find it, but if it happens to be expressed as explicitly as it is in Orwell's, there will be no difficulty in identifying it.


Evaluating Orwell's essay, it is apparent his details flow together and are consistently interesting. In the beginning he has a descriptive introduction that causes the readers' to reflect back and remember why he shoots the elephant. Throughout this essay, how the people will react and think of him is important to


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Orwell and his actions. He states that, "in every crisis he has got to do what the "natives" expect of him," (1). Again, this leads to the outcome of the remaining


paragraphs in the essay and is crucial in keeping readers attentive.


The details described in Orwell's essay are so realistic; it makes the reader feel as if they are really there. For example, when the elephant was on the rampage he killed and trampled an Indian. The words he uses to explain him were very visual and specific; it made the reader feel as if they were present. He also stated how he felt as he was looking at the Indian, which gives the essay extra meaning. He said, "Never tell me, by the way, that the dead look peaceful. Most of the corpses I have seen looked devilish" (11). This allows the reader to picture the Indian's corpse more clearly, through someone else's eyes. Also, when Orwell shot the elephant, he uses descriptive terminology to keep the reader's attention. It was not just one shot and the elephant was dead, it was a drawn out tedious task that took a while. He wrote, "I waited a long time for him to die," and "It seemed dreadful to see the great beast lying here, powerless to move and yet powerless to die, and not even be able to finish him" (1). These statements affect the reader because they are so descriptive and they take them into the story.


Overall, Orwell wrote a narrative essay that had an unusual conflict that made the readers' realize how weak humans are when their integrity is challenged. The arrangement of the essay was effective. The conflicts he wrote about were interesting and displayed his narrative point quite well. The descriptiveness


present keeps the readers' attention until the end. Once the reader starts the essay, it will be difficult to put it down before they are done with it.


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Tuesday, May 12, 2020

Budget surplus for recreational

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Dear Mayor


It is to my understanding that your community has a budget surplus and wants to address the problem of an increasing crime rate. Two proposals are under consideration. One proposal is to have more police officers to lock up criminals and the second proposal is to build a recreational center to keep young people off the streets and out of trouble. I suggest the surplus money should be used to build a recreational center in order to keep young people off the streets and out of trouble. It will improve the quality of life in your neighborhood.


Building a recreational center for kids will give them a place to hang out after school. This recreational center will be a fun and educational place. This place can be used for research for students just like a library. We can also arrange for a library a study where kids can be helped with their homework assignments. They can just hang out there, read a book or log on to the computer. It is just like an after school program knowing that your child is in the safe place after school will improve the quality of life in your neighborhood.


Statistic shows that the majority of teens that attend high school get involved in dealing with drugs. It is proven that taking drugs can result in the person becoming unconscious. This will result in committing crimes like shoplifting or murdering someone if the kid has a knife or gun. Keeping our streets safe will improve the quality of life in our neighborhood we should build that recreational center.


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Using that surplus money to have more police officers to lock up criminals is not a good idea as to build a recreational center. We don't need police officers just to lock up criminals. But instead we need some place for our teens to be after school where they can be safe. If they are out in the streets something will eventually happen. There are teens that deal with drugs, smoke and alcohol. We can prevent this from happening by building a recreational center for teens. We don't need police to lock up criminals because all those teens will be recreational center which means there will be fewer kids out in the streets. Less kids outside means less crime, which will improve the quality of life in the neighborhood.


Thus while having more police officers to lock up criminals is important the lack of recreational center for idle teens is absolutely necessary at the same time. Such facility will provide teens with the opportunity to engage in creative play in safe environment, which would keep them off the streets. This will improve the quality of life not for the children but also for members in the community as well.


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Cloudstreet

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Experience shows that few people really understand what "Euthanasia" is. Euthanasia is not turning off respirators or life support machines. Turning off respirators and life support machines is merely recognizing that only intrusive medicine is keeping a person alive. Taking away that intrusive treatment, the person dies naturally. On the contrary, euthanasia is the deliberate causing of a patients premature death. For example, a doctor gives a lethal injection to a patient, or someone hooks up a face mask and tubing to a canister of carbon monoxide and then instructs the suicidal person on how to push the lever so that they will be gassed to death. For all practical purposes any distinction between euthanasia and assisted suicide have been abandoned today.


Arguments for


ɨ Can quickly and humanely end a patients suffering


ɨ Can help to shorten grief and suffering of patient's family


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ɨ Would help others face death if they could die with dignity


Arguments against


ɨ There are many pain killing drugs which can help the patient die naturally with dignity


ɨ A patient might not be able to make a rational decision or might change their mind but be incapable of telling the doctors


ɨ Old people may feel they are a nuisance to others and go for euthanasia


ɨ People may recover


ɨ If there were better facilities to care for the dying there would be less need for euthanasia


ɨ Life is a gift from God and only God should take that away


Euthanasia in Australia (pre-15)


In the last decade or so several Australian states and territories have taken action aimed at guaranteeing the right of adult patients of sound mind to direct that extraordinary measures to prolong life be stopped. South Australia passed the Natural Death Act in 18, Victoria the Medical Treatment Act in 188, the Northern Territory the Natural Death Act in 188 and the Australian Capital Territory passed the Medical Treatment Act in 14. NSW issued "interim guidelines" in 1.


Laws affecting Euthanasia


Euthanasia laws are complex and differ from State to State in Australia. The States and Territories, rather than the Commonwealth mainly administer criminal law in Australia. The civil law relating to medical treatment and contract law is relevant.


The States of Victoria and South Australia and the Northern Territory have enacted legislation concerning medical treatment. A Medical Treatment Bill based on the Victorian Act was rejected by the Tasmanian Parliament and the New South Wales government scrapped an earlier proposal to enact legislation based on the South Australia Natural Death Act.


Despite the existence of codes in some States and Territories, the laws relating to murder and manslaughter are similar throughout Australia. Euthanasia is a criminal offence in each Australian jurisdiction (except for the Northern Territory at one stage). Suicide, the intentional taking of ones life is no longer an offence in any Australian jurisdiction except attempted suicide is an offence in the Northern Territory. However it is an offence in all Australian jurisdictions to assist or encourage another to commit or attempt to commit suicide.


Law Concerning Medical Treatment Every competent patient has the right to refuse medical treatment provided they don't do so with the intention of committing suicide. Such a right has been long recognised by the common law. Up until recently it was generally accepted that except as provided in statutes or where treatment is sanctioned by a court, an adult person's consent is necessary for an surgery or other medical treatment on that person. The law had recognised that a surgeon may perform an urgent operation on an unconscious patient who could consent, but this can have some risk of civil action for the doctor.


The Rights of the Terminally III Act 15 (NT)


On the 5th May 15 the Northern Territory Legislative Assembly passed the RTI Act by 15 votes to 10. The legislation originated as a private member's bill introduced into the Northern Territory Legislation Assembly on nd February 15 by the then chief minister of the Northern Territory, Marshall Perron.


The RTI Act allows a doctor to accede to a request from a terminally ill, competent adult patient for assistance in ending the patient's life if specified conditions are satisfied. A doctor who provides such assistance in compliance with this legislation is immune from any civil or criminal action and from any discipline action, provided the doctor has acted in good faith and without negligence. This includes all the other people who have any thing to do with the death of the patient.


If a doctor does choose to comply with a patient's request under the RTI Act, the doctor may prescribe a lethal substance or administering the lethal substance to the patient. The RTI Act authorises both so-called 'physician-assisted suicide' and so-called 'active voluntary euthanasia'. The passage of this legislation made the Northern Territory the first and the only jurisdiction in the world to enact legislation that expressly allows doctors to engage in both physician-assisted suicide and active voluntary euthanasia.


The RTI Act and regulations made under the legislation came into effect on 1st July 16. In it's current form, the legislation incorporates amendments passed on 0th February 16 relating to the number and qualifications of the doctors who must assess a patient requesting assistance under the legislation, and relating to the interpreter provisions of the legislation. At the time of writing, four people are known to have used the RTI Act to obtain a doctor's assistance to end their lives.


Legal Attacks on the Rights of the Terminally III Act 15 (NT)


There have been a number of attempts to overturn or otherwise invalidate the RTI Act since the legislation was passed by the Northern Territory Legislative Assembly.


Opponents of the legislation argued that the governor-general of Australia should exercise his powers under the Northern Territory Act 178 (Cth) and disallow the legislation. The governor-general could have done this within six months of the assent to the legislation by the Administrator of the Northern Territory which occurred on 16th June 15. The governor-general did not use these powers to disallow the legislation. There were attempts in the Northern Territory Legislative Assembly in February, March and August 16 to repel the RTI Act but all these attempts failed.


The Andrew's Bill


The Euthanasia Laws Bill 16 (the Andrews Bill), was introduced into the Federal House of Representatives on th September 16 by Kevin Andrews, a liberal backbencher from Victoria. It passed by a vote of 88 to 5. The Andrew's Bill seeks to take away the power of the legislative assemblies of the Northern Territory, the Australian Capital Territory and Norfolk Island to make laws. With the passing of the Andrew's Bill the Senate was able to overturn the RTI Act.


Three Australia states and territories have seriously considered euthanasia, in each case as a result of private members Bills. The legislative proposals all contained the following elements


1) Means for a person to make a request that he/she be killed


) Matters relating to acknowledge the patients needs (i.e. information about health status and likelihood of recovery)


) Means for a doctor to officially state matters relating to the patient's health status (i.e. that the patient is of sound mind at the time of making the decision and that the patient is suffering from an incurable disease)


4) Details of the circumstances in which it shall be legal to comply with the person's request, including how the killing shall be carried out and by whom


Several issues were raised in regards to the Euthanasia Act, concerning all member of both the Northern Territory and the rest of Australia. Both the pro's and con's had to be considered within these issues. The issues were


1) The Territory rights issue


) The claim that the Bill will lead to legal uncertainty


) The claim that the Northern Territory's Rights of the Terminally III Act would have unacceptable impacts on the Aboriginal community


4) The more general moral, philosophical, ethical and social arguments about euthanasia


5) Individuals rights and choices


6) The dignity


Effects on the Individual and Society


The Commonwealth parliament considered the Rights of the Terminally III Act to represent a basic shift in Australia's ethos and social fabric. It had additional national significance as all Australians could have used the Act. It therefore became not just a matter for the people of the Northern Territory but a matter concerning all Australians. The Commonwealth had the power to intervene in exceptional circumstances than euthanasia as it is an issue that deals with the life and death of Australian citizens.


Aboriginal communities were seen to oppose euthanasia, there was an overwhelming Aboriginal opposition to the Rights of the Terminally III Act. During the inquiry, prior to the passing of the Euthanasia Laws Bill, a major concern emerged about the Northern Territory legislation's impact on the willingness of Aboriginals to access medical services, given their attitudes to euthanasia and western medicine.


Proponents of voluntary euthanasia created argument based on individual rights, autonomy and choice. Those in favour of voluntary euthanasia maintained that the general public overwhelmingly supported its legislation and that such a move would merely bring under stringent control and regulation what in reality is already happening in practice.


Opponents of voluntary euthanasia based their arguments on the sanctity of life, religious beliefs to involuntary euthanasia and the erosion of medical ethics.


Individuals already have the unfettered right to abstain from medical treatment. Suicide is not a crime, although the community spend millions of dollars a year trying to prevent suicide. The Rights of the Terminally III Act does not so much change the law for the patient as it changes the law for the third party (the doctor). What should be illegal for the doctor became legal under the Rights of the Terminally III Act. 6.


Conclusion


In the midst of this debate, bear in mind one simple fact, if the Federal Parliament allowed this law to stand, people would die. Whether the issue is refusing to prolong life mechanically, assisting suicide or active euthanasia, we eventually have to confront societies fears towards death.


Death and dying is not always easy for people to accept but it is an inevitable part of life. However the issues that surround euthanasia are not only about death and dying but are


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