Confirmation

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Confirmation

NEED TO CHANGE THE WORDS AROUNUD!

In confirmation it is right to consider the sign of anointing. It signifies and imprints "a spiritual seal." Anointing is rich in meaning. Oil is a sign of abundance and joy. It cleanses, and limbers, it is a sign of healing, since it is soothing to bruises and wounds. It is radiant in beauty, health, and strength. Anointing with oil has all these meanings in the sacramental life. Anointing with the oil of catechumens signifies cleansing and strengthening. Confirmation can only happen to people who have been baptized. The post- baptismal anointing with sacred chrism in Confirmation and ordination is the sign of consecration. By Confirmation, Christians who are anointed, share more completely in the mission of Jesus Christ and the fullness of the Holy Spirit in which he is filled, so that their lives may give off the aroma of Christ. There are two signs usually associated with the sacrament of Confirmation, they are the laying on of hands and the anointing with chrism. When oil is smeared on a person, that is a physical appearance that "You are the Anointed." When the Christian is anointed with chrism, the church proclaims "You are the Christ", since Christ is the Greek word for anointed. St Augustine speaks of the anointing of the whole Christ, the body together with the Head. It is a declaration not of replacing Christ but of reigning together with him, the Head of the Church, as his body. This declaration, "You are Anointed" is the core meaning of being anointed. Confirmation is an increase of sanctifying grace, which makes the person being confirmed a "perfect Christian."

In the early church, when usually adults were only baptized, Confirmation was done right after baptism. Confirmation was usually at the age around fourteen, and is still usually around that age.

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Pichwai paintings of Nathdwara

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PICHWAI PAINTINGS OF NATHDWARA

Location

Nathdwara, a sleepy ,dusty ,small town set on a hill some 50kms(0 miles) from Udaipur,is the scene of most lush and vibrant visual art forms in India , Pichwai paintings.

History

In the 17th century ,when Aurangzeb prohibited the worship of images, Hindu devotees in Mathura , home of Lord Krishna ,became fearful that their sacred statues might be smashed & decided to take them to safer locations.

The images of Sri Nathji were loaded on a chariot and sent on its way to Mewar.At Sikar, a wheel of the chariot sank deep into the sand and it couldn't be removed despite reapeated efforts.This was interpreted as a sign that the image wanted to dwell at that place and the priests decided that it should stay.

A temple was built for the idol and the village came to be known as Nathdwara , "home of Sri Nathji" or Lord Krishna.

Pichwai paintings

Pichwai literally means that which hangs behind. They are the backdrops setting the mood and religious significance of each ritualized scene.They are basically 4 iconographic renderings of the Krishna legend traditionally portrayed in the Nathdwara Pichwais.Each image is linked with a particular festival or holy day.

For eg

Gokulashtami, will have Krishna playing the flute to the assembled gopas, gopis & cows.

Dana Ekadashi, the taking of the toll or dana from the gopis & the breaking of the pots.

The paintings not only form a devotional backdrop for the temple, but also serve the purpose of outlining the religious stories to a largely illiterate population.They delight the eyes with the richness of colour and delicacy of execution.

Style of Pichwais

Pichwais , were traditionally done in a variety of media brocaded, blockprinted, embroidered, or worked in gold. In Nathdwara, however, a rich tradition of painted Pichwais grew. They are done on handspun cloth, sized with starch & painted in pigments derived from natural vegetables and mineral colours. They are also mixed with starch ,giving the Pichwais its charactersic strong smell. They have a stylized, rather static format with frozen figures set in idyllic landscape of brilliant green trees , midnight blue skies which sun, moon, stars, forked lightning, all shine together amidst fluffy white clouds; peacocks, parrots & monkeys in flowering fields and swans & storks, fish and turtles swim in Lotus-strewn silver waters.

This is the Indian conception of paradise known as Braj, unlike the bleak, beige Rajasthani landscape. These depict Krishna, the blue boy-God; Radha & gopis play; dance & make love; a pictorial allegory of the soul's yearning for union with the divine.

Present Scenario

The Pichwai tradition is carried on and its not only devotees of Srinathji who buy the cloth scrolls painted by today's descendants of Raja RajSingh's original court painters. The Pichwai has also become a tourist souvenir. They tend to now be painted with chemical fabric paints that have taken the palce of Indigo, Cochineal, Lapiz & Orpiment. Like many other forms of craft, Pichwai paintings are also slowly changing their form, influenced by the fast pace of today's life. They are gradually travelling out from temples to adrn the walls of homes of those who consider themselves to be the patron of art and craft.

Smaller sizes are constantly being made to satisfy the demand. They are done on lengths of silk, ornaments etc and are painted in rich dark hues.

Rates

Available on silk and synthetic silk, prices range from 00/- to 0,000/-. These paintings have very strong religious traditions. And the artist who works on them considers himself to be the servant of the Lord and puts in SHRADDHA or devotion on each Pichwai that he paints, though its now done for commercial use too.

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Automobiles

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The Automobile An Overlooked Luxury

Driving home for the weekend, taking a road trip across the country, going to the store across town at midnight for a quick snack none of these simple tasks would be possible without the existence of the automobile. The ingenious work of a man named Henry Ford changed the scope of American life with an invention that rocked the entire world. When they came into existence in the beginning of the 0th century cars were considered a luxury, something reserved for the rich and famous. Henry Ford realized his dream of producing an automobile that was reasonably priced, reliable, and efficient with the introduction of the Model T in 108. It was easy to operate, maintain, and handle on rough roads, immediately becoming a huge success. In less than one hundred years, with a plethora of styles and manufacturers, the automobile has been used to give Americans an identity and has offered a unique freedom to anyone over the age of sixteen. America's fascination with the automobile, however, has lessened and the convenience that it offers is often taken for granted.

The people of America do not realize how much automobile dependence has increased in the last one hundred years. Neither do they account for the fact that cars have been around for only a century. Imagine a day without a car resting just twenty feet away, and how different life would be. Life would be much slower; it would lack the extreme rapidity that exists today. If one icon serves to represent life in America, the automobile would be it. Baseball has been around for the same amount of time, and has been labeled "America's pastime," but most people do not watch or play baseball everyday. Neither is our icon the American flag; in the wake of our nation's tragedy, the stars and stripes has lost a large part of its symbolic qualities. America's fascination and subsequent need for the car has caused the automobile to become the one icon that has stood the test of time.

On a typical afternoon back home, as mom cooks diligently in the kitchen, I suddenly hear an outburst. "Oh, no! I forgot to get milk at the store." She had gone to the store just hours beforehand, planning dinner for the family. It seems like such a great inconvenience to have to drive three miles back to the store for one insignificant yet imperative item. It takes all of twenty minutes to drive to the store and back; in the minds of people today, that is a hefty portion of our extremely fast-paced days.

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Just fifty years ago, however, a three-mile walk to the grocery store was a short jaunt that lasted almost an hour each way. I remember talking to my grandmother about when she was a little girl growing up in the forties. She told me that a three-mile walk to and from the store was a common occurrence after school and before dinner. "Many people had cars back then," she explained, "but your great grandfather had to take our only car to work every morning and wouldn't return until late in the evening. We didn't have cellular phones back then, so we couldn't ask him to pick up a few things at the store on his way home. So I had to walk to the store, just two miles down the road to buy the necessities for dinner that night. My mother was always busy with the younger children, and I knew that was just my duty as a part of the family." My grandmother lived without the automobile luxury while growing up; for me, it is hard to fathom what life would be like without a car attending to my every move. This American icon has changed life as we know it today; most conveniences we enjoy stem from the ownership of our automobiles.

The automobile not only presents great conveniences, and it doesn't just help speed up the pace of our lives; this versatile machine exists as a means of finding a specific identity. Stereotypically, there is a specific make and model that fits certain types of people. Most male drivers enjoy driving either gigantic trucks with huge tires, lifted so high it is impossible to even get on board, or a boosted muscle car bejeweled with performance parts and a roaring sound. The classic female automobile is the Volkswagen Jetta, a sporty little car that would tarnish a man's image if he was ever caught driving one. Middle-aged mothers drive minivans or SUVs to and from soccer practice; the wealthy businessperson will drive a nice BMW or Lexus, dressed professionally en route to a large metropolitan location. Add something here

As a young teenager growing up in Suburbia, California, I anxiously anticipated the day when I was to turn sixteen years of age. I saw what my older brother had been able to do with his license and newly found freedom, and I could not wait for my day to sit behind the wheel. The feeling is indescribable; for years I had to sit in the passenger seat, watching the driver as he turned the wheel and clicked the blinker. On a scorching July afternoon, just months from acquiring my license, and while my brother enjoyed his day at the beach with his friends, I was stuck at home with my remote and my overused basketball. I could only watch television and shoot hoops for so long; I was trapped at home with a license to kill rather than a license to drive. Finally, when my day came, I got my license on that fourteenth day of February and I, too, could have that right of passage. I was amazed by the audacious freedom that car ownership offered to me. Purchased with my money alone, the old Honda Prelude was my ticket to anywhere I desired to go. I felt like I could go anywhere or do anything and nothing could get in my way. I no longer had to ride my bike in the blistering heat for a cherry slurpee. I could drive to the beach, or to the snow, or to my buddy's house, parent-willing of course.

No car illustrates these fascinating qualities like The Ford Motor Company's model of the 164 Ford Mustang. With its sleek fastback body style and muscular 8 V8 engine, this eternal machine offers the very freedom that all Americans long for. As a young, naïve sophomore, my friend's '64 silver-blue Mustang convertible was perfect for cruising down Main Street on a Saturday evening, music blaring and pedestrians staring. We were free from the grips of our chauffeur-parents; we were labeled with the "cool image", or so we thought. The Mustangs of the mid-60's have been popular since the day they hit the showroom floor, and many people today still work endlessly to restore their beauty to perfection. The new models are just as appealing; they are fast, sporty, and even relatively affordable. There is no stereotypical driver for this legendary automobile; anyone can own and "sport" a Ford Mustang. Henceforth, if the automobile is America's icon, then the Mustang is America's classic car of all time.

Thanks to America's one and only icon, we can claim our freedom and can enjoy the luxuries that automobiles offer to our ever-so-transient lives.

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The Retreat of a culture

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Im into having sex, I aint into making love

So come give me a hug if you into to getting rubbed

WOW! Now that's poetry if I have ever read it? Understand that there is nothing wrong with having a good time, but why does this song stand above every other song on the artists LP? The lyrics are blunt, sexy and crude. The beat is catchy. The artist has even survived gang war and a life through hell to deliver this life-changing message to us. These are the lyrics and beat that a major record label knows a retreatist society will adopt. Our society will not only adopt this "art-form", but it will feed a pretty penny for the copy and make this young man rich and successful. Which, in the end, is all were really after. 50 Cent can attest to that, the title of his album is Get Rich or Die Tryin'.

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So what effect does the stranglehold of major record labels on today's popular artists have? And what effect do they have on shaping and molding the music of today's society, and its values? If you go into any club across America you will probably need to be twenty-one to get in, does that mean only the clubbing crowd or audience buys these discs? No. These songs are played constantly on the radio, MTV, clubs, everywhere, pounding the lyrics into our heads like a Christmas jingle. So what social-class are buying these discs? Is it the white-collar politician up on the hill? No. It is more likely to be a teenager born and raised in the ghetto, a teen that can relate. What do these artists preach? If nothing else, have "a good time". Let the upper class stay above the lower class, and let the people of the lower class adopt a culture that will keep them in the lower class. This is what they may be unintentionally teaching them.

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Canada Vs. USA

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Both Canada and the USA have governments that seem to work quite well, amidst their differences. While the USA is a republic, Canada is a constitutional monarchy, and both are based on the ideas of democracy. However, they are different in many ways, and each government has it's share of better methods than the other. For example, the USA has a definite term of office set for the president, 4 years, so that the president will know when he is done, and elections do not come as a surprise to the citizens. In Canada, the Prime Minister may sit for up to 5 years, calling an election any time he/she wants, from his/her first day in office, until the day before their last day in office. This can come as a surprise to the public, leaving them unprepared for an election. This is one of the ways that makes the USA system seem better than the Canadian. However, with the exact date known well in advance, campaigns in the USA start over a year ahead of the election, which can be quite annoying to many people. Canadian campaigns last for only 50 days.

The Canadian system does have it's strong points, as well. In the USA, presidents may only be in office for a maximum of 10 years with the rare possibility that their predecessor is no longer able to run the country, during a term. In most cases, the maximum is 8 years per president, in terms. This is not a very good system, if a president that is liked by all and makes decisions well is kept in office for 8 years, he is no longer allowed to be the president, no matter how much he's liked. In Canada, there is no limit on how much a leader may be Prime Minister. If the Prime Minister proves himself to be a very good leader, he will be kept in office for as long as needed. If the Prime minister proves to be a bad leader, they will not be re-elected. The parties keep or replace leaders as they see fit, and the voters have the final word.

The Americans have the better model for choosing government representatives, however. In an American election, the voters will vote on both the president and vice president, to ensure that they are who the people want. In Canada, we only indirectly vote for our prime minister, who then chooses his own staff all by himself, most likely all will be members of his own party.

Canadians also have a better separation system between the highest levels of government, as well. When the voters in America elect a head of government, they are also electing the head of state. This one person is the president, who occupies both titles. In Canada, the head of state is the Queen and the Governor General, who are above the differences between the parties. They are there just to be the monarch, not to get involved with all the different ideologies of the political parties. In the USA, the president will be either republican or democratic, which does not bode well for the patriotic symbol of head of state.

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If there's blame to be had, the American's don't know who did what, there are different parties in the different branches, and each branch blames the other. In Canada, it will always be the government party, so that the voters know for certain who did it.

I can't say for certain which government system I believe is better. Each country has different strengths and weaknesses, which balance each other out quite nicely. Canadian voters are more involved in government decisions, but lack the involvement in who is running the government, the Prime Minister appoints his staff. America lets their voters get more involved in choosing their leaders, but they cannot determine who to blame when something goes wrong. If I had to choose between them for sure, I believe I would choose Canada as the better government. Canada has a few poor qualities, such as the prime minister having immense power, but they can be made up for simply, such as choosing a prime minister that everyone can trust.

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A Comparison of Imagery in Yeats' "The Hollow Men" and Eliot's "The Second Coming".

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William Butler Yeats and Thomas Stearns Eliot both have written very powerful poetry that has changed the face of literature for future generations. Yeats' "The Second Coming" and Eliot's "The Hollow Men" are permeated with the feeling of despair. This despair reflects the feelings of the age in which the poets lived. In these poems, there is a pervasive sense of futility, a sense that mankind will never recover. Through the use of tone, visual imagery, and religious images, W.B. Yeats and T.S. Eliot paint a verbal portrait of life that is both desolate and apocalyptic.

Both poets use apocalyptic images to express tone. The first stanza of Yeats' "The Second Coming" is a statement about the state of the world. The tone is set in the following lines "Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world" (Yeats, lines -4). This tone reflects the seriousness of the situation. The "widening gyre" (Yeats 1) image shows society moving away from the centre of civilization, just as the planets would scatter into the universe if it were not for the sun's gravity. In response to the loss of "the centre" (Yeats ) mankind is thrown into confusion. The state of mind of the people is recounted as "The best lack all conviction, while the worst / Are full of passionate intensity." (Yeats 7-8). These lines express the reaction to chaos, in particular, the reaction to the times in which the poems were written. Similarly, Eliot uses images of emptiness in "The Hollow Men". The line that opens the poem, "Mistah Kurtz--he dead. / A penny for the Old Guy" is an epigraph Eliot employs to set the tone and mood. The lines refer to people who are considered evil and to dark moments of humanity. In lines one and two, Eliot presents the reader with a metaphorical image of the speaker. "We are the hollow men / We are the stuffed men" characterizes the speaker as a scarecrow, someone who is hollow and empty.

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One of the most prevalent, visual images common to both the poem by Eliot and the poem by Yeats is the desert. The desert in both of these poems is not just an arid, barren, wasteland; it is a visual way to understand the bleakness of life; "…somewhere in sands of the desert / A shape with lion body and the head of a man, /A gaze as blank and pitiless as the sun" (Yeats 1-15). Eliot imparts the same visual idea "This is the dead land /This is the cactus land" (-40). The desert images in both poems reflect an aridity of the soul that results in a loss of faith and hope. In the previous passages, both Eliot and Yeats refer to pagan images when describing the desert. Eliot writes "Here the stone images / Are raised, here they receive / The supplication of a dead man's hand" (41-4) and in "The Second Coming" Yeats writes about "[a] shape with lion body and the head of man" (1-14). The speakers in the poems are expressing the idea that their lives are so terrible, that faith and hope are being offered to stone idols. The worship of false images is considered sacrilegious.

In "The Second Coming", there is a sense of despondency. The speaker feels that the situation is irreversible and out of humankind's control as evidenced in the line "The blood-dimmed tide is loosed…" (Yeats 5). The speaker also expresses a belief that whatever may come next, cannot be any better then what they have now "And what rough beast, its hour come round at last, / Slouches towards Bethlehem to be born?" (Yeats 1-). These lines describe the loss of faith in humanity and the belief that Christianity has disappeared. .

In "The Hollow Men", there is also evidence of a dying faith in Christianity. "In this valley of dying stars / In this hollow valley" (Eliot 54-55), the speakers no longer feel the love of God. The stars, to which the hollow men looked to for spiritual guidance, are fading. God has abandoned the hollow men and they cannot hear his word "This broken jaw of our lost kingdom" (Eliot 56). The "broken jaw" (Eliot 56) represents the lack of communication between God and the speaker. This idea is also revealed in the lines, "The supplication of a dead man's hand / Under the twinkle of a fading star." (Eliot 4-44) This pleading, this supplication is to a God no longer believed in. It is "The hope only / Of empty men." (Eliot 66-67)

In "the Hollow Men", it is as if the subjects understand their situation, but wish it were not so. As they cling together, silent, in their despair, there is an understanding of the hell that they are in

Between the idea

And the reality

Between the motion

And the act

Falls the shadow (Eliot, lines 7-76)

These lines are also suggestive of the contemplation of suicide. The feeling that maybe it would be better to be dead than to suffer any longer. The wavering between believing in God and the despair that they are feeling is evident. The lines "For Thine is the Kingdom" (Eliot 77) and "Life is very long" (Eliot 81), verbalize the internal struggle the hollow men are going through. The speaker's struggle is that in spite of the terror he feels about living a long life without hope, he still wants to believe that God exists. The short lines, "For Thine is / Life is / For Thine is" (Eliot -4), indicate the unwillingness of the hollow men to put their fears into words. The poem ends much the same as their lives "Not with a bang but a whimper." (Eliot 6). This line indicates that in spite of the hope, everything is futile. Life goes on whether you want it to or not; and sometimes so does death.

Yeats and Eliot, through their clever use of words, both have presented the reader with a realistic picture of how people felt after the turn of the century. Sufficient evidence is present in the poetry to support the idea, that the images brought to mind when reading "The Second Coming" and "The Hollow Men", are ones of despair and the loss of faith that people were feeling.

Works Cited

Eliot, T.S. "The Hollow Men." 0th Century Poetry & Poetics. Ed. G. Geddes. 4th ed. Don Mills, Ont Oxford, 16. 66-6.

Yeats, W.B. "The Second Coming." 0th Century Poetry and Poetics. Ed. G.Geddes. 4th Ed. Don Mills, Ont Oxford, 16. .

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The volcano

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Mount St Helens, a Dormant Volcano in south western Washington erupted on the morning of May 18th, 180 and volcanologists have predicted that it may continue to be active for sometime yet.

There have been 1 casualties reported so far and the Washington State Department of Game estimated nearly 7,000 big game animals (deer, elk, and bear) died as well as all birds and nearly all small mammals. Many burrowing rodents, frogs, salamanders, and crawfish, managed to survive because they were below ground level or water surface when the tragedy struck. SO far 1 billion board feet of timber (enough to build about 80,000 two-bedroom homes) has been destroyed by the lava and ash flowing down the mountain.

Volcanologists reported that the eruption has triggered a magnitude 5.1 earthquake about 1 mile beneath the volcano and even though there have been hundreds of earthquakes at the mountain since march 0th, the unstable north face could not sustain another and the largest landslide in history has removed more than 1,00 feet from the summit and swept away almost the entire north side of the mountain.

This is the first volcanic eruption in the conterminous United States since 114 and the height of the volcano has been reduced from ,677 feet to 8,6 feet, but it is still one of the tallest mountains in the Cascade Range.

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Mt. St. Helens is on an ocean-continent seduction boundary (the Juan de Fuci plate is sub ducting under the N. American plate). Mt. St. Helens is an active strata volcano. The easiest answer to what caused the eruption is that a body of magma moved into the shallow part of the volcano between the first earthquakes and minor eruptions in March, and by May 18th had become so pressurized that the north face of the mountain failed and this magma was able to erupt.

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