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Eliot's pessimistic view of life permeates his poetry to such an extent that the modern reader finds little to enjoy in his poetry.
It is unquestionable that Eliot's negative view on life is a defining quality of his poetry it is this negative attitude that infuses him with the bravura ability to create unique works, and so it is that Pessimism does not inundate the poem but rather gives it a distinctive superiority which contradicts the expectations set up by romanticism, hence providing a varied sense of pleasure.
In spite of this brilliant aspect there are many other areas from which the modern reader may derive enjoyment. These include the assorted poetic techniques such as wit, imagery, words choice, free verse, unusual metaphors and so forth; the diverse personal skills and empathy that Eliot interweaves in his poems; the adoption of an objective correlative advance allowing the reader to formulate his/her own reaction; and the range of perspectives from which one is able to criticise and relate his work.
Eliot's pessimistic view of life enhances his ability to capture the very essence of negative human behaviour and circumstances. It lends him the aptitude to conjure forcefully detailed images, thrusting the reader into an intensely disorientating situation that spares no aspect of the harsh, unforgiving conditions of the early 100s. Eliot's realism and divergence from the typical idealism of previous poetry compels the educated reader to take gratification at having had the opportunity to see the truth, the unfairness in the world.
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Eliot's ability to conjure such realistic experiences, for instance in Preludes allows the reader to fully understand the complicated, inequitable structure of human society and appreciate not having to physically live through the hardships of early 0th century. It allows the reader to contrast the 'dingy shades' to their own Venetian blinds and be thankful.
With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.
In addition to Eliot's pessimism, his ability to skilfully apply and even generate his own distinctive poetic techniques such as wit, imagery, words choice, free verse and unlikely comparisons (including metaphors) provides the modern reader with much enjoyment.
In The love song of J. Alfred Prufrock Eliot has artistically applied wit to the very title itself. Initially upon reading the words 'love song' the reader is set with expectations of a classically sentimental ballad however after more in depth scrutiny, the surname 'Prufrock' is found to conceal a hidden hint as to the subject matter. The name itself holds connotations of a 'prude' in a 'frock' presenting the reader with a much clearer indication of the character, it reveals the persona's effeminacy and through it one of the sources behind the dilemma presented within the poem. The Poet's ability to apply wit subtly and intelligently generates excitement for the modern reader who nowadays finds little of the metaphysical imaginative capacity about.
Eliot's particular potency with imagery and word choice is unparalleled. His ability to provoke one's imagination and simultaneously appeal to a number of senses leaves the reader with a memorable imprint that despite the pessimism in the poems will have been a source of entertainment in itself.
This is clearly demonstrated in first stanza of part II in Portrait of a lady
Now, that lilacs are in bloom
She has a bowl of lilacs in her room
And twists one in her fingers while she talks.
'Ah my friend, you do not know, you do not know
What life is, you who hold it in your hands';
(Slowly twisting the lilac stalks)
You let it flow from you, you let if flow,
And youth is cruel , and has no more remorse
And smiles at situations which it cannot see.'
I smile, of course
And go on drinking tea
In this single stanza alone Eliot has appealed to all five senses. One could see the delicate lilacs, hear the incessant voice of the lady, feel the flower that she slowly twists and strangles, smell the perfume of the flora and taste the bitter tea.
Eliot's pessimistic outlook on life led to his refusal to conform to the optimistic approach of romanticism, this in turn led to his pioneering application of poetic techniques like the Imagist stylization of free verse and the use of perplexing comparisons. These relatively fresh techniques in particular free verse, is extremely effective and enjoyable because it doesn't not restrain the poet from complete expression. Poems that take on this form can also be pleasurable to the modern reader who finds the repetitive structure of Petrarchan and Shakespearean poetry a bore.
Another facet the modern reader may find enjoyable is Eliot's vast experiences and skills which impart his poems with wondrous associations as well as lattices of allusions. His proficiency in both Western and Eastern philosophy, religions, languages, cultures and beliefs which included Christianity, Hinduism, Italian, English, Latin, French and Sanskrit, provided him with a wide source of knowledge to draw upon. His thorough education in European literature also served as a whirlpool of scholarship that he was able to utilise in producing his works of genius.
An example of Eliot's use of his learnedness is featured in the epigraph to The love song of J .Alfred Prufrock (an allusion to Dante's Inferno).
These skills in conjunction with his background and observances of the working class allowed him to have a heightened empathy of those around him. Having suffered through his life from various occurrences for example his disagreement with his family which led to his moving to England, his disastrous marriage to Vivian Haywood, The two world wars and the endurance of two break downs gave his works a genuine feel of sorrow with which the modern reader may sympathise
Eliot's adoption of an objective correlative approach, the use if items and events to express his feelings rather than statements, allows the reader to formulate an individual reaction and opinions while being aware of the poet's concerns, unlike man other poems that attempt to impose a certain view on the reader, this freedom gives the reader a keenness to view the information presented in the poem as they do .
; the diverse personal skills and empathy that Eliot interweaves in his poems; the adoption of an objective correlative advance allowing the reader to formulate his/her own reaction; and the range of perspectives from which one is able to criticise and relate his work.
Eliot's pessimistic view of life permeates his poetry to such an extent that the modern reader finds little to enjoy in his poetry.
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Rebuttal
Concise statement relating to intro
escapism or Imagist stylization than the music-hall syncopation (O O O O that Shakespeherian Rag) and the pub vulgarity
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