Monday, June 21, 2021

Hamlet

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Tom Stoppard has transformed Rosencrantz and Guildenstern are Dead, (here on in, written as RAGAD) from Hamlet written by Shakespeare. Both Stoppard and Shakespeare have created and presented values and themes related to their times and have been influenced by the social, cultural and historical contexts. The change of perspectives on the themes of death, fate and destiny, appearances versus reality and the use of tragedy and comedy is every present within the transformation of the two plays. Stoppard has transformed his entire play from Hamlet, by altering the focus from the Prince of Denmark to the destiny of two ordinary people.


A major transformation within Stoppard's RAGAD is the concept of death. In Hamlet, death was portrayed in a very dramatic theatrical style, involving violence, blood, poisoning and duels. Hamlet also contemplates suicides and human mortality in a very deep and complex manner. Yet Stoppard has transformed death, to be almost amusing and casual in a number of ways as he imagines himself alive in a box, which is a contradiction in itself, creating humour. Ros then concludes, "Life in a box is better than caught alive in a box, becomes a metaphor for Ros and Guildenstern's (here on in, written as Guil) life, as they are trapped on the stage and have no control. But Guil has a very different and blatant perception of death; "it's not gasps and blood and falling about…it's just a man failing to reappear, that's all- now you see him, now you don't." Stoppard has transformed the concept of death from Hamlet, as something dramatic and sensational, to everyday and causal. This transformation is due to change in context. During Elizabethan times, death within a tragedy was expected and very dramatic, yet during the 160's death was accept and was no longer acknowledged in the same light. Society had already gone through two worlds wars and experienced a major loss of life and has become somewhat desensitised


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