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Piet Mondrian, is probably one of the most profound, influential, and revolutionary artists of the twenty-first century, and one that has demonstrated a great ability to create. He has also had major influence over domestic interior decoration, such as carpets, linoleums, the painting of woodwork and walls, for his modern compositions featuring black lines and blocks of primary colors. He was an artist strictly devoted to his beliefs and commitments. The move Mondrian made away from realistic ideals towards Cubist beliefs placed him among the most highly influential artists of all time. He is known best for his days with the De Stijl (Art Movement/Dutch Magazine created between friendship of Mondrian and Theo Van Doesburg) and his style of Neo-Plasticism. That is how he translated his own Dutch phrase nieuwe beelding, which also means new form or new image. The style was based, he explained, "On an absolute harmony of straight lines and pure colors underlying the visible world.", but his influence has grown to influence new styles of modernism to this day. Mondrian never abandoned his style, and always stuck firmly to his beliefs, and was not above saying things like, The position of the artist is humble. He is essentially a channel.
His reputation rests on about 50 abstract paintings dating from 117 to 144, over 5 years of work. Each painting was worked and reworked, built layer by layer toward an equilibrium of form, color, and surface. Mondrian begun a transistion in around 11, where he started arranging rectangles of primary color around his studio walls starting in 11.
Mondrian believed that the nature of urban life like traffic, buildings, fashion, jazz, and dance . He lived in Paris (11-18), London (18-140) and New York (140-144), searching each metropolis for evidence of the harmony that he tried to manifest in painting. Throughout his career, which spanned the world wars, he believed that art could redeem tragedy, he wrote in 141, If we cannot free ourselves, we can free our vision.
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"I began to paint at an early age . . . . I was always a realist."
Mondrian did not find his identity as an abstract painter easily. At fourteen he began studying drawing under the guidance of his father, an amateur artist who ran a Calvinist school. He moved to Amsterdam to study full-time in the official art school, the Rijksacademie, in 18-184.
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