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The crafters is always aiming at risking and challenging him/herself. They risk their job everyday on the pursuit of the perfect creation.
Usually they are middle-class men/women who engage themselves in this undertake. I used usually because there is need of a fair bit of capital to start up a business and acquire the material and tools.
But once in the workshop, the crafter will test himself every minute of his life to create the best possible pot, or chair or glassware or any other hand made artefact.
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They do risk their piece every minute they work on it imagine the jeweller who has spend 40 hours on this ring and he only needs to solder the last bit of gold on it, he has nearly finished, but suddenly he gets the flame too hot and the whole ring melts. 40 hours completely wasted. But even if the whole ring doesn't get melted it may not turned out as well as the rest of the work he put in it. The point is that the craftsmen will produce a finished work that he will not be able to predict; as opposite to what the mass production outcome looks like all the same, the workmanship of certainty.
In the industry the design will have to be very simplified and the finish very bare, as every extra time spend on it will mean an extra cost added to it. This is exactly what they do not want their aim is to produce the biggest number in the smallest amount of time to keep the price down and sell more of it.
As the Mexican writer Octavio Paz stated in "Saying and Using Art and craftsmanship" '…The industrial object forbids the superfluous; the work of craftsmanship delights on embellishment.'
Craftsmanship was born when industry did, it seems life plays trick on us.
Before industry, if someone wanted a chair, they had to go to the chair maker, an artisan, who would spend one day making it. He had to be paid. The cost would be quite high as the artisan would be the only one supplying it and it could play on this factor.
But when machine started taking people's job, there was the possibility of buying 6 chairs at the price of one handmade. In the one day the artisan spend to make the one, 0 came out of the small factory. And as so many were made the cost was much more convenient.
There is always been a competition between industry and craft as the craft maker would find no market for their product as people could find an object with the same function for the fraction of the price of the handmade one. The craft world had to keep up with the industry to produce a better version of it. Unluckily some only tried to produce one pot in vast number as the industry, the only result achieved would be pots or glasses or earrings that of special would have only the imperfection of handmade. Even if a craftsman decides that he will concentrate on only one glass design, after 10 years there is impossibility that two of them are exactly the same as the nature of the material and methods make this task impossible.
In most of the cases the crafter would only find a niche market where the very specialised is requested, and the workshop would be able to keep up with the demand.
Another way the craftsmanship survives is thanks to the sponsors or patrons people that are ready to put in the budget investing in the handmade. People who learnt to contemplate the beauty of the object.
As soon as the crafter show the extent of his/her virtuoso skill that the outcome becomes more an art object.
The only problem we may encounter is that the cup or the light cover actually stops performing its function all together. A good example for this fashion is a piece of writing from Bernard Leach 'In Tokyo I made shapes and patterns with the same enthusiasm as I spent on drawing and etching, without thinking at first very much about utility and price…'.
The costumer does have the power on the maker if he/she doesn't want to appreciate the work and ability that went into making the piece, than there is not reason at all for the craftsperson to waste his/her intelligence and will into improving the environment around them. The workman transforms simple material into something with function and beauty (as opposite to the mere function of the machine one). And is not the material that makes the object good but the skill a ring because made of gold doesn't mean that it has to be good.
At the end of the day the reason why craft exist is because of the human relationship it offers the factor that the client realises that that object was especially made for him/her.
It will still have little flaws but they are there to remind that you paid the extra for the little extra scratch or skew ness that stops it from been special.
If you really wanted perfection and the anonymous touch than you want the £. industry spoon.
I know of this problem myself I work in a jewellery shop that sells mass production items. There are so many the times that costumers come in to the shop asking for ring and pendants and they leave complaining that they are so standardised that so many people have something similar. On the other hand we have a designer who will produce one off items at higher prices and they complain again. They want so much at no price.
One thing that I learn to appreciate is that if something is made propely its value is only going to increase with time.
To conclude, there is been an evolution in the handmade object, especially the hand crafted one, as the world around us is changing , our needs do as well. Especially as the GIP (gross income per person) increases, people can choose to spend their money in the way they want.
At the moment it is so fashionable to come out of the ordinary and there are people who strive to achieve the ultimate personalised item and to own it. And this is where the craft maker will find its market.
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